Still a great song, though, just has me a bit “What the fuck?”, atm at the part where she errenously explained on demonstrating Mexican heritage, when only part of the instrumentation is what gives it away.

She kinda of “Americanized” it, rather than being authentic about it. Yeah I get that Latino music has the tag of evoking, “FIERY PASSION!” (enter El Pollo Loco commercial slogans), but come on now…

Where’s my bullshit horn? (Brb, gonna go look for it)

Body heat is something everyone has, being Mexican doesn’t have anything to do with it. She found it incredible to acknowledge the fact she has body heat, even though it isn’t culturally relevant to your ethnicity?

Water is not only wet to Selena, it also turns into ice and steam, much to her surprise. Congratulations, on making it seem all Mexicans had no idea that body heat is unrelated to the Spanish term, “Caliente'!”.

Sidenote: Ironically, there’s not a single word in Spanish in the entire song, so where was she embracing her heritage?

The production of the song does have Flamenco flourishes, and some Latino percussion – but if she meant the song overall, she is inaccurate.
However, Flamenco is a subgenre of Classical music, played on Acoustic Spanish guitar from musicians in the tradition of Andres' Segovia, who was Spaniard.
So if it wasn’t for the percussion, it would have had made her look dumber. Nevertheless, Hispanic music in all its various forms has this style - making it seem irrelevant on what designates this as uniquely “Mexican”, in local sound.

As if that almost isn’t on the verge of being a cringeworthy threesome, sexual innuendo reference. Unsurprisingly, she’s mentioned in the previous line.

This explains why and how he made Yeezus, I believe when he said this to her, he was really asking that question the group of naked pornstars on the poster, and expecting them to say this as a response:

“To fuck me!”

Now that I think about it, are all the featured guests who gave their classic verses in his album, extensions of his “Super Ego” (save the pun)?

Because everyone from Pusha to Q-Tip and RZA, even said in this entire cover story, they don’t usually write in his style, from his frame of mind. Meaning, they must have had other (superior) versions of their verses, that wasn’t to “his liking”. My guess is on “Blazin'”, she saved that instead for her album, that same year.

Ex. How she raps on “Blazin'”, was actually how she spit most of the time (way better than “Monster”), after being on HIS ALBUM, she didn’t really rap like that anymore for a long time (which she should go back to)

Kanye the type of nigga who would say

“On Earth you can sleep. On my planet? Sleep doesn’t exist, ask J. Cole, insomnia does”

Laughing hysterically from that entire story, but I died at that part, it was actually great storytelling.

Let alone what actually is a flow….when you see statements like:

“Quick and distinctive, fast-paced flow”

“His signature Chopper flows”

“Kendrick is using his crying flow here in ‘U’ (Flows now suddenly have the metaphysical ability to produce tears out of thin air from the virtual music realm)

“Migo’s unique trendsetting of the triplet flow”

Mostly written by White people, as expected who not only still “can’t jump” but have no clue how to accurately talk about rhythm in Rap.

Btw, shameless self-promotion since we’re talking about triplet flows