I recently read The Prince by Machiavelli, a mirror for princes which introduces the question, “is it better to be feared or loved?” Machiavelli went with feared.

The shark is mockingly asserting that those threatening him are doing so because he has created such love within them, and thus made himself seem vulnerable. This would be ironic if the shark saw himself as coldhearted, which is how he would outwardly portray himself, but he tries to moralize his actions throughout Reefer-Tip Shark. The shark believes they love him.

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The shark boasts of his vast armory and supposed means of defending himself from any threat.

This is quite superficial and ignorant. The abilities of the institutional powers that have control over the shark’s life & society transcend mere weaponry.

Also, tools of destruction do not bring the shark any closer to love, any closer to the The Rose that Grew from Concrete.

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This is all about being held in contempt.

It’s important that those looking down upon others are classified as educated, not more intelligent. This highlights disparity between intelligence and status in society. Characteristics such as socioeconomic class also play a part.

Also, as the Black Sheep would express, intelligence is not a measure of character, which is how I believe we should measure the quality of a person.

The shark’s reaction is something of a violent rebellion. With a little bit of wordplay tossed in, his response is a snub nose revolver, one of his limited means of altering the path of society.

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The Packard Plant was one of the most famous automotive factories in the city of Detroit. It closed in 1958, but its buildings were used through the late 1990’s. It is now the largest abandoned building in the world.

This being the shark’s shrine, a place for his devotion, creates a rough juxtaposition of divinity and decay. The shark’s power is intertwined with mechanization and urban struggle. Him claiming it, revitalizing it, strikes against institutional oppression (an idea the Black Sheep could get behind).

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The closer to Reefer-Tip Shark.

The shark reminisces about how his life has been, in full knowledge that challenging the authority of the liger has brought about his own demise.

The black sheep makes a full-fledged appearance, making the continuous parallels become more obvious to the reader. The black sheep is running from the shark and full of desperation.

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This is a flashback to an earlier time in the shark’s life. The title implies a sort of social detachment from others in childhood.

At this point, the paths of both a shark and a black sheep would just now be going their separate ways, but they are still very similar now.

Context means everything for this poem. Take it out of context, which you can and should be able to examine from that viewpoint as well, and you have the story of the black sheep re-emerging. This is the closest you get to direct comparison between shark and sheep at this point in Reefer-Tip Shark.

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A double title. September 12th is significant as being the day after 9/11, a date remembered for attacks on the World Trade Center. The day after would be one dealing with the aftermath and coping with it all.

Dominoes refers to a chain reaction. One issue arises and soon the whole glass house collapses.

The poem is about the death of a role model to the shark and how he handles it.

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An acrostic poem.

A glass house is a construct vulnerable to attack. The shark is outwardly threatening and attacking, while his own weakness can be seen beneath the surface of the words.

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The shark is burning bridges, burning his ties to the past and what he once was. He’s burning his attachment to past beliefs and entirely adopting his new ones.

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This picks up where Sharks in the Water, Abduction Above left off. It creates a setting that’s somewhat post-apocalyptic, but more in the sense that something like a rapture has occurred.

Evil goes unpunished.

And so the shark becomes king.

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