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While shouting out multiple New York boroughs Ghost also interpolates the Bill Withers classic “Ain’t No Sunshine,” well-known in the hip-hop community for being interpolated in DMX’s “No Sunshine.”
http://www.youtube.com/watch?feature=player_detailpage&v=tIdIqbv7SPo#t=52s

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Herbie Hancock’s “Watermelon Man” quickly became a jazz standard after being released, having been recorded by lots of artists in less than 5 years after the first release.

Hancock later released a perhaps even better-known version of the song in the 70’s on the Head Hunters album.

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The Herbie Hancock jazz standard was originally recorded in 1962 for his Takin' Off album but gained an astounding amount of recognition when Mongo Santamaria released a Latin pop version of the song, having later been re-recorded by numerous artists among whom are the likes of Quincy Jones and The J.B.’s.

Hancock explained in the liner notes that he “recalled the cry of the watermelon man making his rounds through the back streets and alleys of Chicago’s south side. The wheels of his wagon beat out the rhythm on the cobblestones.”

In ‘73 Hancock re-recorded the tune for the funk classic Head Hunters, adding an 8-bar section to the original 16 bars. When talking with Down Beat magazine he gave some information on the composition of the song “Chameleon,” which is similar to the remake of Watermelon Man:

In the popular forms of funk, which I’ve been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It’s almost like African drummers where seven drummers play different parts.

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The term “Junglelistically horny” has actually been used more by Jungle Brothers, as you can hear in their song “Belly Dancin' Dina”, although it is not quite sure whether this or that track was recorded first.

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Big KRIT begins his day with an alarm which plays into the concept—everyday is the same in reality. The “wake up” call can also be heard in KRIT’s “The Alarm”, which is at the end of this mixtape and denotes the beginning of a new day.

This may also be a call for listeners to be conscious of what’s going on in their communities. Similar to the ‘Wake up’ in Spike Lee’s School Daze:

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“Another nigga” indicates that people didn’t care for you at first, you we’re just “another nigga.” Although they now don’t know your name you in fact are bigger, you’re “the guy with the afro” to people all over the place/country/world.

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Folgers is a popular coffee brand in the United States, which naturally contains caffeine among other stimulants. Now of course there is something really wrong with you if you don’t get a buzz or energy-boost from 500 pounds of coffee (approx. 60L).

No buzz alludes to you not having any buzz, or not being popular at all in other words.

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“Sad Tomorrows” is the demo version of the classic song “Flyin' High (In the Friendly Sky)”, from the What’s Going On album. It was released as the b-side of “Mercy Mercy Me (The Ecology)” in June 1971.

The song itself battles with drug addiction, heroin to be exact, to get away from life’s terrible moments.

This version features The Originals on backing vocals in the end of the song, while the final version only features vocals by Marvin himself.

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“Flying High (In the Friendly Sky)” is based around the concept of Marvin Gaye’s drug use. At this point in his life, he was still mainly smoking marijuana but he’d later delve into snorting and free-basing cocaine in the late 70s. “Flying high” refers to the high effect one gets when consuming drugs, as Marvin doesn’t actually fly.

Flying high without ever leavin' the ground

A later-released demo version of the song can be found here.

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Perhaps one of Marvin best lyrics ever, which makes it a shame it was dropped in the final version of Sad Tomorrows. A drug paraphernalia is an object which’s goal is to use, make or conceal drugs. This means that Marvin considers himself an object in the way the drugs control his life, and not an actual person.

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