This is a reference to Talib’s song, “Lord of the Light”

(The soundtrack on which this song appears, Catch The Throne: Vol 2, came out the day before this article was published: March 17, 2015.)

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J. Cole has paid homage to Kweli on his Born Sinner track, “She Knows”:

A black star, Mos Def, Kweli
Good so them bad hoes try me, they try me

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…And this was when everything on Rap Genius was based on “explaining” shit; way back when, before they were called “annotations” on-site, they were called “explanations”.

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Tfw Dan Berger isn’t a T or M.

(Surely, he had to be quoted in this interview.)

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This article was published 10 days before the notable video on “Worse is Better” was uploaded to YouTube.

https://www.youtube.com/watch?v=X45YY97FmL4

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And that, my friends, is the difference between NAS and Jay-Z

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She’s being consistent by reemphasizing a point she made earlier in the article regarding the “good/bad”, “moral/immoral” dichotomies.:

If we don’t work with each other, if we give in to that pull to separate, who have we left to deal with the white person that we’ve given up on and won’t address?

As a white person, it is also our responsibility to work on ourselves. Rather than pointing fingers at others who identify with as her race (white), Dr. DiAngelo understands her privilege and uses it in a way to be more inclusive to those who may not understand it… yet.

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This refers to the Black Brute caricature, which has been perpetuated in society for generations… if not centuries. Some notable examples include a scene in the infamous Birth of a Nation) and Vogue’s picture of LeBron James and Gisele Bundchen.

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A link to Time’s version of the article can be found in red font two paragraphs below this annotation.

http://time.com/85933/why-ill-never-apologize-for-my-white-male-privilege/

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