FiO is making it quite evident that he is well aware hip-hop is “black music” and although his skills are beyond par he still feels like an outcast.

NuView Productions LLC is FiO’s award winning, top rated local, professional New York City / Long Island based video production company.

Although they are well known for their wedding films and promotional videos they cater creatively to actors/entertainers through music videos and scene production.

And even though their team is made up of some of the most creative and talented individuals in NYC, it’s NuViews knack for professional storytelling that separates them from the pack.

More importantly, they are apt to putting the client’s needs first, working patiently and diligently to ensure that your best vision becomes a reality.

FiO is referring to his new production company, NuView Productions which he is currently ‘birthing’ as we now know from his new song ‘Lookin’ Down'.

“The instinct not to breathe underwater is so strong that it overcomes the agony of running out of air. No matter how desperate the drowning person is, he doesn’t inhale until he’s on the verge of losing consciousness. At that point there’s so much carbon dioxide in the blood, and so little oxygen, that chemical sensors in the brain trigger an involuntary breath whether he’s underwater or not. That is called the ‘break point.’ Laboratory experiments have shown the break point to come after 87 seconds. It’s sort of a neurological optimism, as if the body were saying, Holding our breath is killing us, and breathing in might not kill us, so we might as well breathe in.

When the first involuntary breath occurs most people are still conscious, which is unfortunate, because the only thing more unpleasant than running out of air is breathing in water. At this point the person goes from voluntary to involuntary apnea, and the drowning begins in earnest. A spasmodic breath drags water into the mouth and windpipe, and then one of two things happens. In about ten percent of people, water—anything—touching the vocal cords triggers an immediate contraction in the muscles around the larynx. In effect, the central nervous system judges something in the voice box to be more of a threat than low oxygen levels in the blood, and acts accordingly. This is called laryngospasm. It’s so powerful that it overcomes the breathing reflex and eventually suffocates the person. A person with laryngospasm drowns without any water in his lungs.

In the other ninety percent of people, water floods the lungs and ends any waning transfer of oxygen to the blood. The clock is running down now; half-conscious and enfeebled by oxygen depletion, the person is in no position to fight his way back up to the surface. The very process of drowning makes it harder and harder not to drown, an exponential disaster curve similar to that of a sinking boat."

“The instinct not to breathe underwater is so strong that it overcomes the agony of running out of air. No matter how desperate the drowning person is, he doesn’t inhale until he’s on the verge of losing consciousness. At that point there’s so much carbon dioxide in the blood, and so little oxygen, that chemical sensors in the brain trigger an involuntary breath whether he’s underwater or not. That is called the ‘break point.’ Laboratory experiments have shown the break point to come after 87 seconds. It’s sort of a neurological optimism, as if the body were saying, Holding our breath is killing us, and breathing in might not kill us, so we might as well breathe in.

When the first involuntary breath occurs most people are still conscious, which is unfortunate, because the only thing more unpleasant than running out of air is breathing in water. At this point the person goes from voluntary to involuntary apnea, and the drowning begins in earnest. A spasmodic breath drags water into the mouth and windpipe, and then one of two things happens. In about ten percent of people, water—anything—touching the vocal cords triggers an immediate contraction in the muscles around the larynx. In effect, the central nervous system judges something in the voice box to be more of a threat than low oxygen levels in the blood, and acts accordingly. This is called laryngospasm. It’s so powerful that it overcomes the breathing reflex and eventually suffocates the person. A person with laryngospasm drowns without any water in his lungs.

In the other ninety percent of people, water floods the lungs and ends any waning transfer of oxygen to the blood. The clock is running down now; half-conscious and enfeebled by oxygen depletion, the person is in no position to fight his way back up to the surface. The very process of drowning makes it harder and harder not to drown, an exponential disaster curve similar to that of a sinking boat."

“The instinct not to breathe underwater is so strong that it overcomes the agony of running out of air. No matter how desperate the drowning person is, he doesn’t inhale until he’s on the verge of losing consciousness. At that point there’s so much carbon dioxide in the blood, and so little oxygen, that chemical sensors in the brain trigger an involuntary breath whether he’s underwater or not. That is called the ‘break point.’ Laboratory experiments have shown the break point to come after 87 seconds. It’s sort of a neurological optimism, as if the body were saying, Holding our breath is killing us, and breathing in might not kill us, so we might as well breathe in.

When the first involuntary breath occurs most people are still conscious, which is unfortunate, because the only thing more unpleasant than running out of air is breathing in water. At this point the person goes from voluntary to involuntary apnea, and the drowning begins in earnest. A spasmodic breath drags water into the mouth and windpipe, and then one of two things happens. In about ten percent of people, water—anything—touching the vocal cords triggers an immediate contraction in the muscles around the larynx. In effect, the central nervous system judges something in the voice box to be more of a threat than low oxygen levels in the blood, and acts accordingly. This is called laryngospasm. It’s so powerful that it overcomes the breathing reflex and eventually suffocates the person. A person with laryngospasm drowns without any water in his lungs.

In the other ninety percent of people, water floods the lungs and ends any waning transfer of oxygen to the blood. The clock is running down now; half-conscious and enfeebled by oxygen depletion, the person is in no position to fight his way back up to the surface. The very process of drowning makes it harder and harder not to drown, an exponential disaster curve similar to that of a sinking boat."

“The instinct not to breathe underwater is so strong that it overcomes the agony of running out of air. No matter how desperate the drowning person is, he doesn’t inhale until he’s on the verge of losing consciousness. At that point there’s so much carbon dioxide in the blood, and so little oxygen, that chemical sensors in the brain trigger an involuntary breath whether he’s underwater or not. That is called the ‘break point.’ Laboratory experiments have shown the break point to come after 87 seconds. It’s sort of a neurological optimism, as if the body were saying, Holding our breath is killing us, and breathing in might not kill us, so we might as well breathe in.

When the first involuntary breath occurs most people are still conscious, which is unfortunate, because the only thing more unpleasant than running out of air is breathing in water. At this point the person goes from voluntary to involuntary apnea, and the drowning begins in earnest. A spasmodic breath drags water into the mouth and windpipe, and then one of two things happens. In about ten percent of people, water—anything—touching the vocal cords triggers an immediate contraction in the muscles around the larynx. In effect, the central nervous system judges something in the voice box to be more of a threat than low oxygen levels in the blood, and acts accordingly. This is called laryngospasm. It’s so powerful that it overcomes the breathing reflex and eventually suffocates the person. A person with laryngospasm drowns without any water in his lungs.

In the other ninety percent of people, water floods the lungs and ends any waning transfer of oxygen to the blood. The clock is running down now; half-conscious and enfeebled by oxygen depletion, the person is in no position to fight his way back up to the surface. The very process of drowning makes it harder and harder not to drown, an exponential disaster curve similar to that of a sinking boat."

FiO completes his 2nd and final verse referencing his new production company, NuView Productions. As the client base grows so will the company in which he is currently searching for more editors and cameramen (to add to the ‘family’).

Now that FiO has broke into the post-production world he is quickly making a name for himself as an incredible award winning editor who tells stories through video as well as he does music.

Video Editing or Non-Linear Video Editing is the process of taking video that is raw, meaning untouched or newly recorded, and taking away clips of that video that are not necessary to your story or point of the video. This taking away of footage is called cutting which is for stupid emos.

Although FiO is predominantly known as a rapper, as of a few years ago he began making a dent in the professional post-production industry as an editor.

Not known for his camera skills he shoots all year round in preparation for his annual ‘Looking Back’ videos.

In filmmaking and video production, a shot is a series of frames, that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement.