Not knowing who I am, basically. I went through a whole album and a whole set in my life not knowing who I am or thinking I know it all, thinking I have so much love for my homies. I think that’s it, that’s where love stops. So much love for the streets, and I think that’s where love stops. But deep inside I didn’t know who I was. I was just caught in the same cycle that everybody else was following and everybody else was in. So how can I really have love for my partner next to me if I don’t know who I am? How can I have love for my city if I don’t know who I am? Me having love for them is making the right decision for them, and making the right decisions for these kids out here, and I wasn’t doing that, you feel me? So it was me having to find myself and that is what that whole thing represented.

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Yeah, that is basically talking about my homeboys and also talking about this promiscuous woman. Damn, I am giving away the tricks now. Yeah, in conclusion with Sherane or just women, vices, drugs, women in the street, basically saying I am so indulged in it, that I don’t want to change it. All the way up to the last line of that verse. Where I say the part about my father and really break it down, what is really real.

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I mean, that record considers itself as a radio record, or whatever you make it out to be, a hit record or whatever. But for the most part, that song was still in the concept of the first track on the album, which was Sherane. So it had its time right there but for the most part it covered everything as far as the concept of dealing with a promiscuous woman.

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Am I the flower? No, I am thinking she is the flower the whole time because I have no idea about her background, just being oblivious to it. Being young and not knowing. She may look good on the outside, but this flower may be full of bees and no honey. You feel me?

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I don’t want it to be so one-sided. I want you to feel my perspective but at the same time know where she is coming from. She may come from a broken home where she wasn’t taught actual home training and dealing with men. I mean, not to actually say that in a blunt manner, but when I do a record like Poetic Justice, you see that she does have something about her that is attractive, and I really just want to show both sides of the fence. I never wanted to really completely slander her all the way down, so that is a good point. I am glad you caught that, and it is real tricky and that is something that I thought about writing that record, knowing the history that me and her had.

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I try not to explain this story so much, just because – for future references that might happen within my creative process. But I was in the wrong place at the wrong time.

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My pops was like, ‘You got to go get a job,’ you feel me? So I went and got a job. The easiest job I could find that was on the market, for like a week, at a truck stop. They had all this cargo and stuff up in there. And the first day I got in there I was already scheming on how to get this stuff up out these trucks. Hell yeah, man, I probably got like one paycheck and then it went bad after that. I should have been locked up but with the graces of God, he has favor over me. I do not take that for granted. I didn’t even have a uniform. I was just securing a little post. I didn’t have a flashlight or nothing. I didn’t even have top flight. I didn’t even have a flashlight, just sitting there and scheming on how I can just crack these back doors open.

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I look at society as one big pot of gumbo, with just so many temptations. So me hoping for some type of peace is like something I can hope for forever, or I can get it within one moment, or I can get it within this song. Or I can get it with just talking with the kids in the neighborhood. So I always wanted to put that type of vulnerability out there where I have always been this dreamer. I am a realist, but at the same time what separates me from the rest of my homeboys is the fact that I can dream of this hope rather than just saying, ‘Fuck everybody, and shit is about to happen, and I’m about to be on this corner with the homies.’ That’s what it is. That’s what separated me, the fact that I can dream about that, you know? And that was the line.

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I’m bleeping out a name. These stories are serious and in-depth, I’m not going to go out here and really, really slander and put my real ones out there that have been in some real situations. Those close to me know what I’m talking about.
It’s just about me seeing somebody get killed, just as a kid. And knowing, and being right there, and knowing how it all went down, feel me?

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This is basically just me accepting where I’m at, and now I’m totally adapted to it and I’m numb to it. I’m with it, I’m in this whole other trance where this is it, this is what it is going to be, and bam, I’m in it and I’m locked in it. So that last line is basically saying the listener will never know how much in depth I have really gone at one particular time in my life.

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