What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Strangely enough, this song was written before Lupe’s label Atlantic Records decided to postpone the release of his third album LASERS. It wasn’t until a petition for its release reached over 20,000 signatures (some RapGenius™ Editors included) that Atlantic caved to the pressure

Lupe is saying that no one pays attention to problems (specifically the big world problems) until it’s too late, and this is to blame on the fact that the media guides our thoughts into the wrong direction.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Lupe references Chess Records since that was the label robbing Little Richard. Lupe compares himself to Jerry “The King” Lawler, a professional wrestler known for his arrogant, cocky persona and his outlandish ring attire

Out of the ring, Lawler’s dealt with some legal trouble, divorcing three wives, running over a policeman’s foot and being falsely accused of statutory rape

Lupe, I get that you feel like a black sheep, but try to stay out of the legal system, bro!

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Powerful religious imagery punctuates the line; hymns are generally songs of prayer, and “alter” is a homophone with “altar”

Lupe’s flow in this song is noticeably different from previous efforts (see “Sunshine” for comparison)

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Alberto “Alpo” Martinez was a Harlem drug lord in the 1980s who had a pretty mean rep until he turned snitch. The movie Paid In Full was based on the lives of Alpo and his partners Rich Porter and Azie Faison.

Alpo downgraded a life sentence into 35 years after his 1992 arrest by snitching on the enforcer Wayne Perry, and it’s rumored that he was released in July 2011 then put into witness protection.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

A “dingbat” is a foolish person – a fair assessment of most people that choose to inject heroin (“shoot smack.”) Nas kicks it with their suppliers to pick up street knowledge about NY figures such as Lorenzo “Fat Cat” Nichols, a big time hustler from Queens. The mere mention of his name brings this group on a nostalgia trip.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Over a soulful loop from Reuben Wilson’s “We’re In Love” mixed with vocal samples from Juice Crew members Craig G and Biz Markie, Nas reminisces about the fast life he was living as an adolescent, causing him to feel like a grown man when he was just a teenager.

Nas said the following about the song’s concept:

‘Memory Lane’ is just how I saw the world growing up, and I miss it.

DJ Premier provided some background information on the track in an interview with XXL:

Nas wanted to help me pick a sample for that, and he heard the Reuben Wilson sample [from “We’re in Love”], and he was like, “That’s it.” I wasn’t really into that one. But he was like, “Yo, that’s it, Preem. Cook that up.” So I just hooked it up, because he asked me to. I was in competition with the other producers on the album, so I wanted to be funkier than what they had.

He wrote it right on the spot. Once we cut the vocals, I heard what he was saying. I wasn’t mad at it. I wasn’t against it, I just thought I could have done better.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

As Wale grew up, he began to believe that light-skinned people had easier and more fulfilling lives. Because of this, Wale began to act spiteful towards those with a lighter skin tone

In Washington D.C., more than 90% of homicide victims from 1985 to 1999 were black; the statistics would seem to back Wale’s theory, at least in D.C.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Often when somebody is committed to something their whole life, so much so that they’re prepared to die for it —as is the case with MYH with respect to his hustling— they use the term “to death” to describe their drive. The fact that “for death” is used is significant; Lupe is probably indicating that hustlers bring about death, serving as its agents.

This line is a play on the saying “Hustler for life.” Since he is dead, he says “Hustler for death.” It ties back with the chorus because when he’s faced with death, Michael Young doesn’t cry or beg for his life, he simply acknowledges that he is a “hustler for death” and that there is “no heaven for a gangster.” In doing so, he shows he’s not afraid and accepts the fact that he’s been caught slipping.

As stated in “Superstar”, Michael Young History was denied entrance into heaven. For him, there is literally no heaven.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

On the cover of Lupe’s sophomore album Lupe Fiasco’s The Cool, a trinity of images appear surrounding the album’s logo. One of them is a skeletal hand, pulled from this line, to represent the character of “The Cool” in the Coolest saga.

Lupe explained that the right hand is all bones because Michael Young History lost all his “right"eousness.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

In another installment of the Cool saga, Lupe Fiasco takes “extended metaphor” to new heights, talking about fast food while simultaneously telling a story of gangster glory and defeat

This video is processing – it'll appear automatically when it's done.