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Kanye needs Jesus like schools need educators and Kathie Lee Gifford needed Regis Philbin to be successful

Well, without teachers, a school would be useless – so that makes sense – but Kathie Lee seems to be doing alright for herself on the Today Show, which makes me think that Regis is totally dispensable

The producers of The Today Show tried to get Kanye to change “Kathie Lee” to “Kelly” when he preformed the song on the show. Of course, he didn’t listen to the white man..

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Kanye references the Adam Sandler movie Happy Gilmore: Happy exchanged this insult with golf pro Shooter McGavin.

Shooter McGavin is the epitome of white establishment which the police also represent, and the way McGavin talks down to Sandler’s character is similar to how the police may talk to black Americans.

http://www.youtube.com/watch?v=wMAhCCZDwtU

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“Check the method” – a common rap saying meaning “look here” – comes from rap group A Tribe Called Quest and Large Professor on “Keep it Rollin'”. That line was then sampled in a 1994 Common/No ID track, probably what Kanye is referencing here.

Kanye draws attention to the aggressive interrogation methods police forces use against African Americans to confess to crimes they didn’t do. An example of this would be the George Stinney case.

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This line is extracted and reinterpreted from Psalms 23:4:

“Yea, though I walk through the valley of the shadow of death, I will fear no evil: for you are with me; your rod and your staff they comfort me.” (Psalms 23:4)

The line is also used famously in “Gangsta’s Paradise” by Coolio, and many other rap songs.

Kanye’s clever wordplay punctuates the line. “Chi where death” sounds much like “shadow of death”.

The line references the infamously high rate of murder and gun violence in Chicago (the Chi) where Kanye was raised. It’s so prevalent and has been there for such a long time that it’s become the place where Death is always around, but Kanye believes that God is still with him, just as he was with David.

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Growing up, it was Drake’s dream to befriend and hopefully work with some of the legends in the game. But hip-hop is so competitive that there’s no time for making friends, you have to try and knock off the legends if you want to earn your keep.

The same goes in basketball, where up-and-coming stars are constantly clashing with veterans hoping to overthrow them and cement their own legacy. Drake uses the example of Allen Iverson growing up his whole life admiring Michael Jordan, but scoring on him with a vicious crossover when it finally came time to play against him.

http://www.youtube.com/watch?v=y3X274lz3wY

If Drake is AI, the best example of MJ would have to be Jay-Z. Jay started off as Drake’s mentor, even landing a guest verse on his debut album, but when Drake started feeling like the throne was for the taking he began taking shots at Jay to try and elevate his own status.

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“One Love” was the final single released from Illmatic. Fellow Queens native Q-Tip provided the vibes from the Heath Brothers' “Smilin' Billy Suite Part II” as the backdrop for Nas' song which finds him reading letters he wrote to his incarcerated friends about what was happening in the neighborhood.

Producer Large Professor provided some background information on how this track came together:

[Nas] was like, ‘Yo, you think Q-Tip would give me a beat?’ That’s really when I was gettin' up with Tip a lot, so I was like, ‘Yo, of course. Just roll through with me out to Jamaica [Queens] one time, and we’ll just sit down.’ And we did. We rolled out there, back when Tip had all the stuff in Phife’s grandmother’s basement. And we sat down, and Tip was like, ‘Oh word? I don’t really have no beats done right now. But I'ma show you the record I'ma use for you.’ And he played this record [The Heath Brothers' ‘Smilin’ Billy Suite Part II'], and it was just like, ‘Oh shit! That shit is crazy!’ He hooked it up and did his thing, and it was on.

The third verse of this song was the basis of a scene in the movie Belly, starring Nas and DMX

This shifting of perspective in his verses is one of Nas’s iconic techniques, as Adam Bradley notes:

Nas is perhaps contemporary rap’s greatest innovator in storytelling. His catalog includes songs narrated before birth (‘Fetus’) and after death (‘Amongst Kings’), biographies (‘UBR [Unauthorized Biography of Rakim]’) and autobiographies (‘Doo Rags’), allegorical tales (‘Money Is My Bitch’) and epistolary ones (‘One Love’), he’s rapped in the voice of a woman (‘Sekou Story’) and even of a gun (‘I Gave You Power’).

Nas' storytelling abilities stem from none other than Slick Rick. The last verse is almost reminiscent of Slick Rick’s ‘'Children’s Story’‘ as Nas tells a young child about the life of crime.

Watch video: Nas – The story behind One Love

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Big Boi compares the damage he and André will bring through their raps to the damage Hurricane Floyd was predicted to bring to Florida around the time this song was written. You lock your windows in preparation for a hurricane, and Big Boi suggests you do the same when OutKast comes to your town.

Floyd was supposed to hit FL very hard, but luckily the end result was much less severe – no deaths were reported and the damages clocked in at less than $50 million.

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This is a reference to Eric B. & Rakim’s classic song “Microphone Fiend”. Big Boi understands that rappers live by the beat and you’re only funky as your last cut, so he always has to grind to stay on top.

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A reference to the title of the album on which this song appears. As for the meaning of “Stankonia”? In Big Boi’s words:

“Stankonia is whatever’s the funkiest shit ever. It could be that purple, or that funky-ass music.”

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First was Southernplayalisticadillacmuzik in 1994, then ATLiens in 1996, followed by Aquemini in 1998, then finally Stankonia in 2000 – the album which this song appeared on. Most group would have slipped up and put out a bad album by now, but most critics would agree that OutKast’s first 4 albums are all classics.

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