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This line, like much of the song, reflects on the relationship OutKast has with the music industry. When OutKast was first coming up, all of the critics told them that their unique southern style would never translate to mainstream success at a time when the East and West coasts dominated the genre. But they beat the odds and ended up seeing their first 3 albums leading up to this one go platinum, so now they are chilling in their expensive cars, unprepared for the amount of fame they are dealing with.

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Dre compares the strength of his raps to that of these powerful animals combined with the force of a train. And it’s hard to argue with him after listening to this verse.

Note – silverbacks are actually a type of gorilla. André must have chosen to say orangutan instead to fit the rhyme scheme.

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The second single from Stankonia, “Ms. Jackson” catapulted the Southern rap duo OutKast into the mainstream, reaching the top 5 in several countries and becoming their first of three #1 songs on the Billboard Hot 100. It also won the Grammy for Best Rap Performance by a Duo or Group in 2002. The name “Jackson” was chosen because the pair felt it is “one of the most common names that people could relate to.”

André and Big Boi pulled from personal experiences to create this song, and Andre said the following regarding how his relationship with singer Erykah Badu influenced his verse:

“Ms. Jackson” came from just wondering — after a relationship kinda goes to the left — about a parent of a girl who has a child, like, how does she feel about the situation? And that’s what birthed that song.

But it’s like my whole situation — me and Erykah, what we went through — that is the inspiration for the song because I had to go through it to know about it, to even think of something like that.

Badu admitted in 2016 that the song was a “sore spot” for her, but that her mother embraced being the song’s inspiration to the point of purchasing a license plate that says “MSJACKSON”.

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This is the lead single from OutKast’s 1998 Aquemini. “Rosa Parks” may not have been the duo’s most successful single, but it established OutKast’s legitimacy as pioneers of Southern hip-hop.

On 1 December 1955 in Montgomery, Alabama, Rosa Parks refused to obey bus driver James Blake’s order to give up her seat in the colored section to a white passenger. This incident is said to be one of the catalysts of the Civil Right Movement in America in the 1950s and 1960s.

Rosa Parks' legal team filed a lawsuit against OutKast and LaFace Records in a court case later known as Rosa Parks vs LaFace Records, but ultimately lost the case. Years later in 2005, the year Parks passed away, her family addressed the controversial lawsuit:

I know, dementia or not, my Auntie would never, ever go to this length to hurt some young artists trying to make it in the world … As a family, our fear is that during her last days Auntie Rosa will be surrounded by strangers trying to make money off of her name.

André provided some insight into the creation of the song:

I actually submitted that beat to [Puff Daddy’s old group] Total – ‘cause I was going with Keisha from Total around that time – but they couldn’t use it, so we ended up using it.

Big Boi added:

I took the beat home and I remember I was in my bedroom, and I was like, ‘I got the hook!’ I was playing the music loud as hell and I was just singing the hook: ‘Aah-haah, hush that fuss!’ Like, that’s it, we need to lay it down.

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For the lead single to their fourth album, Stankonia, OutKast took the space funk of their sophomore album ATLiens along with the heightened consciousness of their third album Aquemini and advanced to another level with this rapid fire, psychedelic bass-pounding monster of a single known as “B.O.B.” Despite the political nature of its title—"B.O.B.“ being an acronym for "Bombs Over Baghdad"—it’s more of a commentary on the condition of the ghetto that incorporates a few political references to get its point across. However, with the occurrence of the September 11th attacks one year after its release, "B.O.B.” became an anthem during the Iraq War, which lasted from 2003 to 2011.

In a 2019 interview with Rick Rubin on his Broken Record podcast, André revealed that the music of Rage Against the Machine—who later remixed “B.O.B.”—gave him inspiration to make the song:

I wouldn’t have done “Bombs Over Baghdad” if it wasn’t for Rage Against the Machine. Because I felt urgency in their music, so I was like, ‘How can I add urgency to what we’re doing?’ It doesn’t sound like Rage Against the Machine…it’s the energy.

“B.O.B.” peaked at #69 on the Billboard US Hot R&B/Hip-Hop Songs chart and the single was certified platinum. The song received critical acclaim, making its way onto a number of “best of” lists, as Rolling Stone ranked “B.O.B.” as the 50th greatest hip-hop song of all time and Pitchfork called it the greatest song of the 2000s.

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This track was produced by DJ Premier (nicknamed “Preemo”), one of the greatest hip-hop producers of all time.

Also “primo” is “cousin” in Spanish, so Mos Def could be referring to him as family, or a close friend. In Spain, they sometimes refer to cousins or close friends as “primo.”

Finally, with the phrase “Su-Preemo,” Mos Def is making a word play that points to the spanish word “supremo,“ which means supreme.

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This needs to be tackled in sections, it’s so deep

  1. Rainbows occur as light is refracted through droplets of water which makes the light appear in the form of every color in the visible spectrum. They also look fresh as hell, so, MIRACLE!

  2. All of these miracles have the ability to form some kind of gun and kill you with their awesomeness. Stunning imagery from the ever-insightful Shaggy

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In a 2011 interview with A.V. Club, Violent J said:

They’re miracles. They’re little gifts of freshness on this earth. And I’m not saying they’re from God, even if they’re all nature, and it all can be explained by science, they’re every bit still as cool as they were. A giraffe. A fucking giraffe, all right? Maybe if you live in the desert in Africa, a giraffe ain’t shit to you. But for some motherfuckers from Detroit, a giraffe is some shit, man. It is awesome, living on the second story of your house, and have a giraffe stick its head in your bedroom. Tell me you won’t freak the fuck out.

Also, in a 2012 interview on ICP’s website, he said:

We appreciate all this shit. Especially a yellow ass, long neck giraffe. What’s a shame is how people walk around blind to it all. They lost their spirit about everything. If you can’t even see the miracle in animals, then you must have never truly loved a pet. That has to suck for you.

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In the ghetto, a hammer is a gun; instead of being used to build things, these hammers are built for destruction.

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Kanye often points out the gap between what black people earn vs. what they spend: here, he wants luxury chrome rims on his car even while he can’t pay his electric bill

Also, referring to the last line, he can’t shine when he’s on the “school bus” which is why he wants to drive a car with some nice rims

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