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When Common goes after his opponents, he doesn’t allow them any room to breathe; he “gets” (kills) them instead of allowing them to continue rapping

The references to “bid/auction” seem to be Common comparing other rappers to his slaves, who he can sell / “bid” goodbye to if he pleases

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Common has the ability to rile up a crowd to the point where they could be considered possessed by demons. As Malcolm X fought to free his comrades from oppressive societal and governmental policies, Common’s fighting to free his audience from the boring rap of the day

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Fresh off his feud with Ice Cube, Common delivers a scattershot assault with the help of a young Canibus. Together, they assert their mathematically dubious superiority with potent lyrics, great rhymes and a simple but powerful beat

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Through the course of the song, both Common and Canibus seek to prove to the world that they’re the best MC’s out there, and that other rappers should be in fear of them

Strangely enough, both rappers dropped classic diss tracks in the years before and after this song was released; Common directed “The Bitch In Yoo” at Ice Cube, and Canibus would later destroy LL Cool J with “Second Round K.O.” on his debut album

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Mathematical wordplay. Of course, squared and double do not mean the same thing. To double a number is to multiply it by two, to square a number is to multiply it by itself. Common is one nightmare squared and Canibus is one nightmare squared. 1 squared + 1 squared = 1 + 1, which equals 2 nightmares, double the original number (1). From a different standpoint, 2 squared is the same as 2 doubled: 2 x 2, which equals 4. Canibus and Common (2 rappers) squared (2 x 2) equals the same sum of rappers as Canibus and Common doubled: 4 rappers.

The second layer of meaning is that that their lyrical threat goes double for rappers not up on their Supreme Mathematics, a concept that is part of the Five-Percent Nation (Nation of the Gods and the Earths)’s philosophical teachings. Five-Percent Nation, which has had a big impact on the New York hip hop scene, teaches that God dwells in all black men. It makes sense that men who know of these teachings would be more powerful than those who who do not because they are aware of the divine inside themselves.

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Gangsta rap, says Common, isn’t really what hip-hop’s about, so rappers need to be real about their past.

Common showcases the literary device called POLYPTOTON, in which words derived from the same root are repeated: real, really and realest.

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From a 1990 Chicago Tribune article

In recent months, Africa-shaped medallions, clothing made of African kente cloth and Malcolm X T-shirts have become popular among school-age children. Some youths said the trend has made it easier for them to express their cultural awareness

A Tribe Called Quest rocked this look in the early 1990’s:

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