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“Rudeboy” is the third track into the album and “Party Animal” was a pre-single of sorts with Kano, to promote the album’s forthcoming release.

Ghetts uses these two to say that, despite the changes in his life, he still parties and gets money as he used to but now, with his daughter and this comeback album, he has pretty much everything a man could want.

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Continuing the use of the tracklist in the intro, Ghetts uses the name of fifth track “Gas Mark 9” to say that any girl he beats would have anyone as gassed as these lying rappers in the Grime scene.

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“Pray” is the penultimate track on the normal version (#15), which Ghetts uses to ask the people to pray for him, because he doesn’t think he’s worthy of forgiveness.

“It’s a living hell” is interpolated into the chorus of “Rebel” and shows his view on the way the world is run.

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“Born & Raised” is the second track on RWAC, directly after this intro. It’s important to note that after mentioning the tracklisting, Ghetts list several tracks and makes references to others on the album, (including Times Change, Broken Home and Fatherhood in these two lines). Of course, this shows how close the subjects spoken about are to him.

Ghetts has talked in-depth about how his daughter being born has changed his perspective and made him feel the need to stop taking drugs. He actually talks about how his father did leave his mum but was still involved in his life, on Broken Home and, perhaps, through his own experience of fatherhood, understands the stress and pain involved when it comes to raising children.

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Another installment of Converse’s Three Artists, One Song series, which has seen people from Gorillaz, to André 3000, to Soulja Boy collaborate with each other. All the tracks can be found on Converse’s Tumblr page, with the latest dropping at 11 AM EST.

This track features prominent vocals from Frank Ocean, Mick Jones on guitar, Paul Simonon on bass, and production by Diplo, with additional vocals from the West Los Angeles Children’s Choir. Jones & Simonon are best known for being in the legendary punk band The Clash.

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The 2011 riots across the UK that started in Tottenham after the death of Mark Duggan were often blamed for not accomplishing too much besides destruction and looting.

However, to Ghetts, these riots showed how tired the people were of the injustice that’s been going on since before he was born. He understands that these people didn’t get much of a chance to have their voice heard, and is giving his music substance to show that he relates and understands to what they think and say.

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A direct reference to Rastafarianism and the religion’s messiah, Haile Selassie and a reference to one of it’s many famous believers, Bob Marley, known for infusing his beliefs in his music.

Not only does this pay homage to the two, but it might also imply that Ross is a believer of Rastafarianism himself, because he wants to go out to the music of one of the religion’s biggest advocators.

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Whether or not Abel has a permanent place of residence, he is about that penthouse life. Note also the glaringly obvious sexual connotation of this line; she’s giving him a private show.

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This is a direct interpolation of Debarge’s “I Like It” (the instrumental change also solidifies this reference), which has been referenced by Nelly and Big Daddy Kane among others.

http://youtu.be/VqaKisKIyUo?t=2m34s

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The first single off Maybach O’s upcoming album “Sex Playlist”.

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