“Lord” is track 3 of A$AP Ferg’s debut album Trap Lord. The track features the legendary hip-hop group Bone Thugs-n-Harmony, and the mystical, dark beat is produced Crystal Caines & Ozhora Miyagi.

Everyone delivers a solid verse, especially Bone Thugs-n-Harmony with their incredible speed and flow. It’s safe to call this track a successful posse-cut.

Anne is Lil Wayne’s Stan, except she’s a chick, so it’s more chill.

“Dear Anne (Stan Part 2)” (originally “Anne”) was originally supposed to be on Tha Carter IV but has since then been removed from the album. Lil Wayne said in an interview with XXL that he was not a fan of “Dear Anne” and that it was originally planned to appear on Tha Carter III. On July 8, 2011, producer Swizz Beatz hinted at Wayne possibly re-recording a new version of Anne, after he had said the verses were too “old.” It samples t.A.T.u.’s “30 Minutes”—produced by Swizz Beatz.

Swizz originally made the beat many years ago, titled “Stan II,” for Eminem, but Em never used the track. Eminem also used similar word play in his track “Phenomenal” with the following lyrics “I write with the left, same hand I hold my mic with.”

Kenji is Mike Shinoda’s narration of a Japanese-American immigrant living with his family in L.A. during WWII. Mike explains the unfair internment of all Japanese-Americans in the area and racism following their release.

“Kenji” tells of a Japanese immigrant who, along with his family, is sent to an internment camp in the wake of the attack on Pearl Harbor. Shinoda stated in an interview that his father was born during the Second World War, and was interned alongside his family. He interviewed his father and aunt (in which excerpts were included in the song). About his aunt, he said, “She was there when people were getting pulled out of their houses, and they had absolutely nothing to do with anything [involving the war]. It’d be your average neighbor — or you — getting pulled out of your house because you were racially profiled as somebody dangerous.