Unreviewed Annotation 2 Contributors ?

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The production is created out of fusing musical elements of hip hop and reggae, with live instrumentation and African samples fitting the theme of the song and whole LP. During the hook you hear a crowd in the background screaming “hey” and uses more hard-hitting drums. The track contains samples of Mulatu Astatke’s song “Yegelle Tezeta”.

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The records production is built around the sample of the title theme of the 1983 film Scarface “Scarface Cues” which was composed by Giorgio Moroder.

While the hook of the song is also both a lyrical and instrumental interpolation of the 1998 song by female R&B singers Brandy and Monica, “The Boy Is Mine”. The original Brandy and Monica lyrics were:

You need to give it up
Had about enough (Enough)
It’s not hard to see
The boy is mine (Boy is mine)

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As the title suggests, the record “MT. Olympus” is grand, tall and prominent – complimenting his fiery lyricism. The composition features orchestra and samples dialogue from the movie Gladiator:

https://www.youtube.com/watch?v=FsqJFIJ5lLs&noredirect=1
Which could be interpreted as:

  • Big KRIT assumed the consumer wanted to listen to same ratchet music that his peers found mainstream success making. But now the tide has slightly shifted to more attention towards lyricism. Can´t the consumer decide what they want? Is this what you want?

  • Comes in after he says fuck control as in people wanted him to respond and he kind of did it here.

#You happy now, bitch?

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Nas goes after Jay’s bedrock of credibility: his (fairly well-documented) history as a successful New York drug dealer. This subject kept going back and forth in the feud. Starting with Memphis Bleek:

And only a few fit in, your lifestyle’s written
So who you supposed to be, play your position

Then Nas with this line and:

Oh you didn’t, wanna know whose life Was Written

Which Jay fired back on “Takeover”:

It’s only so long a fake thug can pretend
Nigga you ain’t live it
You witnessed it from your folks pad
You scribbled it in you notepad and created your life

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Nas told Complex:

People were talking about this East Coast/West Coast shit but Dre called me and was like, ‘I got this record for you.’ He played the sample over the phone for me and I went crazy. We just wanted to show that a New York rapper could rap on a Dr. Dre beat and it’s all love. That was our position on that one.

I recorded in Dre’s house. Dre had a banging studio in his house. It was real chill, just how it sounded. It was just banging beats, real energy, not a lot of people there to distract us. It was just us, happy to work together.

† – The main sample is “Synopsis Two: Mothers Day” by 24 Carat Black.

https://www.youtube.com/watch?v=1jUVXNjItas

But Dre occasionally also sprinkles in a ound effect from Scooby Doo sample! It’s a sound credited to Ted Nichols, and it was used in “The Black Knight” episode of Scooby Doo.

https://youtu.be/8pA8VzdpDnU?t=36

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A very somber and beautiful instrumental incorporating orchestra pieces, cracking vinyl sound create to create a more nostalgic vibe. Tencening the emotion of all the fallen soldiers from Biggie Small, Big L, Pac etc to the everyday person. For the third verse crying and then baby sounds comes in to further elevate sad A very somber and beautiful instrumental incorporating orchestra pieces, cracking vinyl sound create to create a more nostalgic vibe. Tencening the emotion of all the fallen soldiers from Biggie Small, Big L, Pac etc to the everyday person. For the third verse crying and then baby sounds effects are brought in to further add to the atmosphere. It contains a sped-up sampled of “Will You Cry” by Chic.
https://www.youtube.com/watch?v=BHb85HXrReM

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“Undying Love” is the cathartic finale to Nas' third album I Am… – a first-person story about a man who returns from Las Vegas with plans on popping the question to his fiancée, only to find her cheating on him. The man’s response caps off one of the most depressing stories in hip-hop history.

While fictional, the story sounds like a sick fantasy of Nas. Around the time of this song’s release, Nas' baby-mama, Carmen Bryan, was known to be cheating on him. It’s nice that he got out his aggression through music.

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The composition contains a slowed down sample of “Hang On” by Jerry Goldsmith:
https://www.youtube.com/watch?v=ahRbJv6TfTM#t=163

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Nas gave Cormega a platform to show his talents on the It Was Written album on a track called ‘Affirmative Action’. Subsequently Mega was signed to Def Jam. But Def Jam shelved his album for several years and he never released n album on the label. It wasn´t good enough and/or wouldn´t sell so they dropped him and regret ever spending money on him.

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