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First was Southernplayalisticadillacmuzik in 1994, then ATLiens in 1996, followed by Aquemini in 1998, then finally Stankonia in 2000 – the album which this song appeared on. Most group would have slipped up and put out a bad album by now, but most critics would agree that OutKast’s first 4 albums are all classics.

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This is a reference to the myth that diamonds come from coal which has recently been debunked. But if it were true, Big Boi is advising us all to try and make something out of nothing – in other words, turn worthless coal into valuable diamonds. The implication being that this is what Big Boi himself has done.

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3 Stacks does a good job of comparing and contrasting the two life paths you can take as a young kid in the hood in these lines. You can either use Arm & Hammer to cook cocaine into crack in hopes to be able to afford a nice car one day, or try to make an honest living and settle down with a family.

This is also a description of the unique place his life was in at the time. André and Big Boi both started off as stereotypical Southern hustlers rocking gold teeth and braids, but settled down when their baby mamas gave birth to their children. The “Black Cadillac and a pair of Pampers” is a link between his old life and his new one – he is carrying diapers for his baby son in a car he bought using money from his hustling days.

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André makes it clear that their relationship wasn’t simply lust-based; there were actually emotions involved and thoughts about settling down with a family. Goodyear tires can be used for tire swings put in the backyard for little kids to play on, and the oak tree is often used as a symbol for age/wisdom – which connects to the next line about being around forever.

This is also a great allusion to the fact that this was all during their good years.

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The message of this song’s chorus is just as powerful as a left hook to the jaw. This could also be a play on words, as a hip-hop chorus is often referred to as a “hook”.

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In so many words, OutKast tells other rappers to make way for the revolution they lead; comparing the Montgomery Bus Boycott, sparked when Rosa Parks refused to sit in the back of the bus, to OutKast’s movement to revive hip-hop makes sense, but did not come without any controversy.

Rosa Parks sued the duo for using her name in a song with vulgarities without her permission, especially because the song seemed to trivialize the bus boycotts. But Mr. DJ denied any wrongdoing in naming the song after Ms. Parks, claiming:

We were just trying to use her as a symbol – “Everybody move to the back of the bus.” It was just a real fact. We used to have to go to the back of the bus. It was just something real and we tried to make something positive out of it, not in a bad way.

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While most of the song tries to shy a way to committing itself to any political stance, this line in particular stands out as a probable reference to Operation Desert Fox, where the United States strategically bombed Iraq in attempts to lessen Saddam Hussein’s power. But president Clinton insisted that the goal of the mission was only to “degrade” Iraq’s ability to produce weapons of mass destruction instead of completely eliminating it. But André feels that if you’re going to pull your bombs out, you better plan to bang.

3 Stacks elaborated on this a little further in an interview with Rolling Stone:

“The U.S. was trying to beat around the bush. We was trying to scare them by bombing the outskirts … If you’re going to do anything at all, do it. If you gonna push it, push it.”

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Big Boi plays on the meaning of “meet” here. It can refer to how big things happen to André and Big Boi every time they get together, but it can also refer to track meets which track teams compete in. Finally, it also speaks on how crack fiends are always dying to “meet” with their next crack rock.

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André cautions his listeners that while 1999 is a good year to act a fool and be yourself, you still have to remember that there are consequences for your actions. If you do something stupid and get yourself thrown in jail, that is going to stick with you for the rest of your life.

The “too high to jump” “too low to dig” part emphasizes how difficult it is to escape from jail – both physically, and in terms of the rest of your life. The fence is too high to overcome, and you would have to dig all the way down to hell just to have a shot to dig under it.

This line could also be a reference to rapper DMX’s debut album It’s Dark and Hell Is Hot.

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This line, like much of the song, reflects on the relationship OutKast has with the music industry. When OutKast was first coming up, all of the critics told them that their unique southern style would never translate to mainstream success at a time when the East and West coasts dominated the genre. But they beat the odds and ended up seeing their first 3 albums leading up to this one go platinum, so now they are chilling in their expensive cars, unprepared for the amount of fame they are dealing with.

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