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In 1945, fascist dictator Benito Mussolini and his lover Clara Petacci were executed by communist partisans while trying to flee the country. Their bodies were found hanging in an Esso gas station in Milan.

Laura Jane Grace draws a comparison between Mussolini and Bin Laden. Both were fearful enemies of Western democracy in their day. Both were eventually hunted down and killed in a gory, undignified manner. “Esso” is brought in as an allusion to the oil industry: many people feel that access to Middle Eastern oil was the real reason for the “war on terror.”

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The title track of 2014’s Transgender Dysphoria Blues is, as Parker Molloy wrote in Death and Taxes,

Unlike past releases that merely hinted at gender-based themes, [Transgender Dysphoria Blues] is direct, blatant, even… An anthem to the “this really fucking sucks” feeling that many trans people can directly relate to. An ode to being pissed off at your body’s self-betrayal."

The song’s “dysphoria” describes the dissonance between self-identifying as a woman, but being perceived as a man by society, and an effeminate one at that. Society doesn’t always smile upon those who buck traditional gender roles.

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The song that first introduces the assassin character Grae later returned to on Assassins, a track off Pharoahe Monch’s 2011 album W.A.R. (We Are Renegades) and again on her own Gotham Down Trilogy

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This is Shia Labeouf’s idea of an appropriate press release. Sent out as part of a “guerrilla hype” campaign for the Labeouf-directed music video in spring of 2013. [Sic] throughout

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