What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

LIMP BIZKIT frontman FRED DURST has boasted how he had rampant sex with BRITNEY SPEARS after she wore a see-through blouse to seduce him.

-The Sun

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

On February 19, 2013, underground hip-hop duo 7L & Esoteric and Wu-Tang Clan member Inspectah Deck debuted as CZARFACE with their eponymous debut album.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

already a mainstay in the NY underground, emcee/producer tes makes enters the solo fray – after a leaving a slew off mixtape and stages blazing. with the release of this, his debut ep, tes unleashes his incredible, breathless flow on 8 outstanding and impressively varied, self-produced tracks (with the exception of two remixes). the ep showcases a slew of different styles that somehow manage to touch upon elements of organized konfusion, anti-pop’s m.sayyid, lateef of quannum, and the legendary freestyle fellowship, yet always retain an individuality that never allows you to lose sight of exactly who you are listening to. to borrow a term from spinna & co. – it’s clear from the outset that tes is certainly not your ordinary emcee…

with beats reminiscent at times of aesoprock & blockhead, at others mr lif and others earl blaize, it’s clear that tes takes his production work just as seriously as his lyrics. that said, it isn’t always to give the tracks as much attention as they deserve simply due to the incredible rhymes that adorn them. i had heard a lot about him before receiving this cd, but it’s fair to say that i was still blown away by it once i heard it. i’m not seeking to draw comparisons with him, as they are very different and unique artists, but hitting play on the tes ep reminds of how i felt when i first heard aesoprock. the amount of work that has obviously gone into ‘take home tes’, coupled with the self-assured confidence his rhymes exude over each beat, make it basically impossible to put the cd on and not find yourself getting lost within it (which makes reviewing it a little difficult at times!). in the mould of outstanding emcee/producers such as the likes of mf doom, tes crafts each beat to perfectly suit his own wholly individual style, ensuring each word is completely married to the beat in such a way that makes it hard to imagine the two separated. having said that, the neurologists do well with their remix of “sound investments” and add a distinctly different edge to the track, but ultimately i have to admit that i prefer the original.

3 of the 8 tracks offered on the cd are also due for a vinyl release – “acts of tragedy”, “solipsism” and “mouth of the river”. whilst i don’t question the tracks chosen, i have to admit that personally i’d love to have “sound investments” on a 12" – the haunting horns of the hook will have you waiting for their return whilst you hang off each word that separates from one hook from another. to be honest though, i’d love the whole ep on vinyl – it’s an exceptional release form an exceptional artist – but it’s great to know that arguably my favourite cut of the octet will make the transition. the incredible, beatbox driven “mouth of river” is something everybody needs to hear – much has been made of it in recorded hip-hop, but it’s clear that beatboxing is far more than a mere gimmick in tes' case:

“mouth of the river/tes o-n-e/mouth of the river/beatboxing emcee/mouth of the river/is where my flow starts/mouth of the river/first class language arts” [“mouth of the river”]

i can’t hope to adequately describe what you’ll hear when you listen to ‘take home tes’ – i can’t imagine any description i could have been given before hearing it that would have come anywhere close to preparing me for it. from the other artists i’ve mentioned in this review, i’m sure you can appreciate the kind of territory we’re talking about – intelligent, highly intricate and articulate wordplay over inventive and original beats – if that sounds remotely like the kind of hip-hop you’re into, then i can’t recommend tes' debut enough… do not let this pass you by

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

While there are obviously liquor stores EVERYWHERE across the world, it is a known fact that low-income neighborhoods are home to a higher number of liquor stores.

Maryland’s poorest ZIP code has nine times as many liquor stores per resident as the state’s richest ZIP code, according to a Capital News Service analysis of data from the 2000 Census.

This is an issue throughout poverty stricken neighborhoods combined with little options for healthy foods that hold back these communities, many of which have a majority non-white population.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Nigga Island was originally the title of this song, but was changed because Sho Baraka thought people would be uncomfortable mentioning the song name or even talking about it if it had the word nigga in it

He sees his race as an island and realizes that he is stuck there with all the positive and negative aspect of that community surrounding him.

This line is also a reference to Ten Little Niggers by Agatha Christie, which was published on November 6th in 1939. Which was retitled in the American version as And Then There Were None (It is also know as Ten Little Indians here in the states). The plot summary of this book is about a group of people lured to a distant island to be slowly murdered by a mystery assailant.

Sho is doing a play on words: Nigger Island refers to a book about murder on a lone island. In the book the group lives in fear of who the murderer is, resulting in dissent and unrest in the group. By the end of the story we discover that the murderer faked his death and orchestrated the whole thing.

In Sho’s rendition of this story the hood is the island, and the original title of the book is a reference to all African Americans. Sho is suggesting that someone has deceived African Americans, causing them to believe all they are, are N*ggas. As a result of this tragic perception African Americans are slowly killing themselves while the assailant escapes.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

In this line, Sho is not only addressing the ignorance of people to the fact that racism is still rampant in the world but also denying the label placed on him as a Christian rapper.

As a Christian rapper people expect him to devout his songs to his religion and use them at Youth Groups to create incentive for young people to take interest in their religion. Instead he casts off the joyous image to bring notice to these trying issues as ugly as they are… Something the Christian music community took issue with on this album and more specifically with this track.

Many christian music sites felt uneasy with his lyricism through the track, more notably the word nigga and his portrait of the issues of black communities attributed by wealthy white communities. Michael Weaver of Jesus Freak Hideout, which is a Christian music site, said this…

Perhaps the most offensive part of the entire song isn’t the ugly words Sho uses, but the fact that he states that black men are used only to be exploited by white men and to help them reach their goals. Sho paints with a very broad and hurtful brush. Perhaps it should be hurtful to some, but it should not be all-encompassing.

The fact he wants believes they just want more songs for youth groups shows that they would rather stay ignorant to the real issues of the world and focus on their prayers instead of making any kind of change or being well informed.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

MC Moe Pope’s career first took off in the early 2000s with Bay Area-based Hip-Hop band Mission (who later became known as Crown City Rockers). After a series of 12” singles, Pope appeared on the group’s LP, One, in 2001, before he decided to return to Boston, Massachusetts in order to look after his daughter. Back in his hometown, he connected with rapper/producer Insight and his five-man outfit, Electric (aka Electric Company). Along with members Anonymous and Raheem Jamal, Pope broke off from Electric to form Project Move, issuing their debut album, Love Gone Wrong/Butterfly Theory, in 2006. As each group’s members went off to make solo records, Pope reunited with his former Crown City cohort Headnodic for the 2008 well received collaborative album Megaphone.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Booker T. Washington and W.E.B. Dubois were known for having different opinions on the progress of African-Americans as far as gaining social equality. Yet both were adamant about improving the conditions of the community and improving race relations.

So Sho is saying he’s not much like Booker T. as he isn’t dressed up to impress and using Dubois as “the boys” saying that him and all his colleges are gonna keep bringing up the issue till its resolved.

Essentially he claims he will not be the solution or a great figure like the black community has had in the past, but he will keep on talking about the problem because its his responsibility as a person to fix injustice.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Sho is stating how Hollywood manipulates the image of the hood in movies in order to make a profit while throwing people in the hood minor amount of money either through some minuscule charity or fees to film there, he makes the comparison that the hood is like a whore. Doing whatever is can for money.

In old-school hip-hop shows DJ’s used to say “Somebody say HOOO” and the crowd will scream HO! or “When I say hey, ya’ll say HOOOO”. So this line is basically an allusion to that, while also saying that blacks are being exploited by the media like hoes to a pimp.

This video is processing – it'll appear automatically when it's done.