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Tech must know a lot about astrology, with this reference.

Those born under scorpion are dead serious in their mission to learn about others. There’s no fluff or chatter for Scorpios, either; these folks will zero in on the essential questions, gleaning the secrets that lie within.

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This is a funny scheme Tech has come up with. He get’s “Kutty” or Kutt Calhoun to hit up a girl, then get’s her disappointed when he tells her he’s married, and then Tech swoops in and takes that frown right off her face.

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He’s referring to the paint they commonly wear on stage when he says “this clowns type.” She’s just eavesdropping to her friend and Tech because he can tell she is curious in a threesome as well!

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Club Rio is a popular club in San Antonio, TX. Which Crook often admits he is very fond of Texas.

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Buffie the Body, notorious for Dat ass!

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Broadcast Music Inc. (BMI) Does music licensing, royalty, and publishing. Crook is trying to get them to notice his R&B writing skills. Following the Ginuwine line, the joke here is that R&B artists do not have the hustlers spirit and also the fact that coming up with a few unique lines for an R&B song is much easier than producing a hot 16 bars.

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Ginuwine hasn’t really stopped, but nothing has been relevant in quite a while. Either ways, needs to step to Crooked’s level.

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In the Slaughterhouse version of Beamer, Benz, or Bentley Crooked raps “Fuck Mickey’s, Wendy’s, Denny’s, I’m Martin, Chow’s, and Benni’s” Clearly talking about the nice places he eats and apparently will even bring ratchet hoes along.

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Talking cars, Benz or Ferrari, hoes love it.

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Crooked I does a great job mixing metaphors and references here.

  1. He often defines himself as an artist as a mixture of the rapping legends, as seen here, here, here, or here. The metaphor is that he just absorbs their styles (after he hits the bottle) and can analyze them very well and mould their personas in with his own, to create his own Gangsta style.

  2. The references he uses are that he’s 2pac and Eminem and uses their songs as metaphors to represent that he is Against All Odds (2pac) and Doesn’t Give a Fuck (Eminem.)

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