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“That’s Not Me” is a song by the American rock band The Beach Boys, taken from their 1966 album Pet Sounds. It is the third track on the album.

Mike Love takes the lead vocals here and it should also be noted that it’s the only song on the album Pet Sounds where the majority of the instruments are played only by the band members.

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Referring to the Guardian Angels of New York City. The Guardian Angels is a non-profit international volunteer organization of unarmed citizen crime patrollers.

The Guardian Angels organization was founded February 13, 1979 in NYC by Curtis Sliwa and has chapters in 15 countries and 144 cities around the world

Sliwa originally created the organization to combat widespread violence and crime on the NYC Subways. The organization originally trained members to make citizen’s arrests for violent crimes. The organization patrols the streets and neighborhoods but also provides education programs and workshops for schools and businesses.

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“Know Your Rights” was released as a single prior to the release of the album, Combat Rock, on which it appears. The song was the first single from the album.

The song begins with the words “This is a public service announcement…with guitars!” The structure of the song revolves around the rights held by the poor and disenfranchised, in which the speaker of the song, presumably a villainous civil servant (whose identity is assumed in the song by vocalist Joe Strummer), names the three actual rights.

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A common theme explored in Dark Side of the Moon is madness and the human mental state. This idea was brought to light for the band after the mental breakdown of former frontman; Syd Barrett, who had to be evicted from the band due to his problematic behaviour. His frequent drug use, particularly of hallucinogens such as LSD, as well as the pressure of fame combined with his fragile mental state caused him to become supposedly disconnected with reality. He would regularly miss scheduled gigs and interviews, and when he did show up his appearance and behaviour seemed very off, appearing very confused with everything happening around him.

In this opening voice clip, the band introduces the idea of madness in a human being, suggesting it is in all of us whether we choose to accept or reject it. Although it is very unclear what the trajectory of madness encompasses, it can bring out great truth and fact in anyone. Which the band witnessed first hand after the mental passing of their former bandmate, Syd.

The song itself features no lyrics (although it contains parts of the conversation tapes that Pink Floyd recorded [respectively, Chris Adamson (one of their roadies) and Gerry O'Driscoll, the EMI Abbey Road watchman], as well a short snippet of Clare Torry’s vocal performance on “The Great Gig in the Sky”, and consists of a series of sound effects. It leads into the first performance piece on the album, “Breathe.” As a result, they are usually played together on the radio.

A further tribute to Syd Barrett is included in their song “Shine On You Crazy Diamond” from their 1975 album Wish You Were Here.

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“Speak to Me” is the first track from British progressive rock band Pink Floyd’s 1973 album, The Dark Side of the Moon, on which it forms an overture. Drummer Nick Mason receives a rare solo writing credit for the track; Roger Waters subsequently claimed this was a “gift” to Mason, one which Waters came to regret after his acrimonious departure from the band.

This song is extremely reminiscent of Ron Geesin’s “A Raise of Eyebrows” which was released in 1967, a few years before Ron Geesin worked with Pink Floyd on Atom Heart Mother which was itself a few years before release of Dark Side of the Moon

On radio cuts, “Speak to Me” is often combined with “Breathe (In the Air),” called “Speak to Me/Breathe”.

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“Money” is a track from English progressive rock band Pink Floyd’s 1973 album The Dark Side of the Moon. Written by bassist Roger Waters, it opened side two of the original vinyl LP, and is the only song on the album to enter the top 20 on the Billboard Hot 100.

“Money” is particularly notable for its unusual 7/4 time signature throughout most of the song, its distinctive bassline, and the seven-beat “loop” of money-related sound effects that opens the track: coins clinking, a cash register ringing, etc.

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“The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry.

The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife

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Keyboardist Rick Wright wrote this song. In an interview for Mojo magazine in March of 1998, Wright mentions that this song is about life gradually descending into death.

Wright stated:

For me, one of the pressures of being in the band was this constant fear of dying because of all the traveling we were doing in planes and on the motorways in America and in Europe.

This was spoken by Gerry O'Driscoll, the EMI Abbey Road watchman (who also appeared on the start of the album — “Speak To Me” –, “Money”, and the final seconds of the album).

Durga McBroom and Lorelei McBroom were background singers for Pink Floyd and they always said that this song was about a woman who realizes she has cancer. She begins to sing angrily because she’s in pain about the realization of cancer. As she begins to digress with her vocals she finally realizes her death in the end and accepts it which is why the song begins with the short voice talking about death.

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“Eclipse” is the tenth and final track from British progressive rock band Pink Floyd’s 1973 album, The Dark Side of the Moon.

It is by Roger Waters, with harmonies by David Gilmour. After Waters left, Gilmour sang the lead when performing live.

As the climax of the album, “Eclipse” highlights simply that the summation of everything you are, as much as it matters to you, as hard as it is to get it all “in tune,” eventually it’s “eclipsed by the moon”—i.e. not really important at all.

“Eclipse” almost became the title track of this album. Nicholas Schaffner’s book explains that, while the band was writing DSotM in 1972, the group Medicine Head released an album by that title. As a result, Floyd was considering naming their album Eclipse, after this song. It wasn’t until the Medicine Head album flopped that the group took the original title back

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From the book “Pink Floyd: Bricks in the Wall”, Roger Waters explained:

“I don’t see it as a riddle. The album uses the sun and the moon as symbols; the light and the dark; the good and the bad; the life force as opposed to the death force. I think it’s a very simple statement saying that all the good things life can offer are there for us to grasp, but that the influence of some dark force in our natures prevents us from seizing them. The song addresses the listener and says that if you, the listener, are affected by that force, and if that force is a worry to you, well I feel exactly the same too. The line ‘I’ll see you on the dark side of the moon’ is me speaking to the listener, saying, ‘I know you have these bad feelings and impulses because I do too, and one of the ways I can make direct contact with you is to share with you the fact that I feel bad sometimes.”

After the word “moon”, heartbeats start to fade out before and during the “There is no dark side of the moon” line. This is a reference to Speak to Me, the album’s first track, where heartbeats appear to grow more and more distinct. This provides a cyclical feel to the album.


The last line was provided by Gerry O'Driscoll, a doorman at Abbey Road studios where the album was recorded. He said it in response to the question “What is the ‘dark side of the moon’?”

His full answer was “There is no dark side of the moon really, matter of fact it’s all dark. The only thing that makes it look like is the sun.”

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