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Pork is viewed disdainfully by many persons and religions (such as denominations of Christianity, Judaism and Islam) as are pork rappers who simply can’t keep up with the upper tier. They can’t bench press bars with Talib and get smoked. As Talib said below, a Charcuterie is a French word for a place that prepares products including cheese, hams, sausages and of course, pork.

https://twitter.com/TalibKweli/status/226394846527635456

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These bars explore an extreme love-hate relationship & dependency, and are some of the most intriguing of the album. Essentially, these are two bitter enemies that wouldn’t hesitate to kill one another, with one developing a twisted sense of love derived from the other’s pain. From his perspective, he needs his enemy to suffer to increase his own satisfaction with his successes.

Nasir then goes on and seemingly compares a relationship like this to the one between his haters and himself. They want him to suffer and for his career to die, but watching his pain pleases them so they need him. He on the other hand dislikes the haters, but understands the situation and uses it to his advantage. A much calmer look at the matter than “Hate Me Now,” though from a not too dissimilar perspective.


Fun fact: This is one Nas favourite lines on the album as he tells in this interview:
http://youtu.be/YuaJzK2i8as?t=44m37s

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On “Blaze a 50”, Nas also touched on a wealthy man with a sadistic side:

Caught him with his Spanish maid
He had a lighter with a can of spray, burning her legs
She tied to the bed, sex S&M, sadomasochistic
Sadistic, yoked her from behind, blew him out existence

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Matthew 16:26 (NIV) says:

What good will it be for someone to gain the whole world, yet forfeit their soul? Or what can anyone give in exchange for their soul?

In their quest to attain the addictions of the world (such as fame, money, drugs), many lose things much rarer such as family, friends and their soul.

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One the themes of this song is the age-old adages that “money can’t buy you love or happiness,” and that “things are not always what they seem.” One of the most famous literary examples is The Great Gatsby where Gatsby is a rich man who throws parties but doesn’t really interact with them. This fellow has the cash, but that can’t afford him family or stop his destructive habits.

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In today’s society, giving a negative opinion is looked upon as ‘hating’; the people who could handle negativity are seemingly all gone. As Nas and No I.D.’s friend and collaborator Common said on “The 6th Sense”:

Who am I to judge one’s perspective?
Though some of that shit y'all pop true it, I ain’t relating
If I don’t like it, I don’t like it, that don’t mean that I’m hating

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Nas’s album cover for I Am… was shot by Danny Hastings and features a his face as a golden Egyptian one. It was created using a clay face mold, which nearly killed Nas. According to Danny:

The funny part was that the first attempt, Nas was getting asphyxiated. We almost killed Nas. We cleaned him up, and he was like, ‘Let’s do it again!’ […] Nas was a true sport.

Speaking on his album covers, Nas said:

According The first one, you have him being a boy, very young. The second was a little bit older. And the third one, he was a king,“ he continued. "He already conquered the world. He was on top of the world. He was doing a lot of big things. We came with the concept of making a King Tut sarcophagus piece.”

Continuing the Egyptian theme, Nas also has a Pharaoh piece necklace.

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Some persons will seek fame due to personal inadequacies, and a lust for significance. Some persons hate out of jealousy or longing for that significance – a twisted love of sorts that requires effort to sustain. Much like “The Fox and the Grapes,” people oft hate what they don’t have. Fear is closely related to hatred, and as was said on “Hate Me Now”:

Niggas fear what they don’t understand
Hate what they can’t conquer
Guess it’s just the theory of man
Became a monster

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Many people hate on Nas because they see their own failures due to his outstanding success. He escapes the box that they have failed to, and stays looking young, being paid, getting fine women and driving expensive cars.

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A short cover of the song “Fertilizer” by James Fauntleroy. As written in Rap Genius' piece for Esquire:

[Fertilizer is] A short interlude that opens up the darker themes on the album. Over what sounds like a 1950s radio program and matching static, Ocean begs his love not to treat him like the titular bullshit. But the sorrow in his voice and the painful laugh track tell us he’s not having much luck.

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