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Shabazz here gives a (rhyming!) introduction to intersectionality theory

[T]he intersectionality experience within black women is more powerful than the sum of their race and sex, that any observations that do not take intersectionality into consideration cannot accurately address the manner where black women are subordinated

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In 1984, Vanessa Williams became the first black Miss America. Her triumph was relatively short-lived, though, as she was forced to resign by pageant officials after some old nude photos surfaced

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In Decoded, Jay-Z remembers first hearing Kane use this line in an earlier, likely unreleased, song:

“I couldn’t get Kane’s freestyle out of my head. I remember one punchline in Kane’s verse: put a quarter in your ass / cuz you played yourself. "Played yourself” wasn’t even a phrase back then. He made it up right there on that tape. Impressive

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Ras makes the world’s first interactive rap song, soliciting bars from his fans and then shouting them out in verified Rap Genius explanations!

https://www.youtube.com/watch?v=QN4JvL4MyWk

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On track 7 of Freddie Gibbs' mixtape Baby Face Killa he delievers the catchiest song of his career, and one of the most gangster joints of the year. Production by the great upcoming West Coast producer DJ Dahi and a feature verse from Houston’s upcoming star Kirko Bangz.

The same beat was changed a little but used on the Vic Mensa song YNSP (Yung Net Save Paso) [feat. Eliza Doolitle], which was also produced by DJ Dahi.

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A not-so-subtle reminder that Pitchfork is based in Chicago

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See above for the specific part of the review Lauren is referring to here

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As he makes clear in the verse below, “Kelly Kapowski” – a.k.a. white girl – is slang for cocaine. Pitchfork drastically misread the song in its review

“Kelly Kapowski”, a should-be nostaligic ode to the Saved by the Bell pinup, finds him in romantic mode, describing the perfect woman in the most generic terms imaginable

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Pitchfork’s main criticism of Lauren was that he “has yet to flesh out a recognizable persona”

[T]here’s no real way to tell, over the course of his overstuffed mixtapes, which character is the true Lauren. Is he a fun-loving behemoth or a raw Queens goon? Is he sensible, an endorser of condoms and money made legally, or totally absurd, always out for a laugh, with a shottie cocked underneath the seat? There are lines on Mandatory Brunch Meetings that indicate all of the above, along with a host of other possible options

Lauren responds by saying that he really is “all of the above,” and it would be gimmicky to choose only one option

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