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This image ties in to the Roots reference above, with its central character of a runaway slave. M1 compares his modern predicament to that of his enslaved ancestors

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Roots is a famed TV miniseries based on Alex Haley’s novel Roots: The Saga of an American Family. The series aired in early 1977 and was one of the most-watched television events of all time. The central character in both versions is Kunta Kinte, an eighteenth-century West African who is taken captive by slavers and sent to America. Upon arrival, he tries to escape repeatedly

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Dreadlocks are the natural hairstyle for most people of African descent – that is, if hair is not brushed or cut, it will eventually form into dreads. Dreadlocks are especially popular amongst adherents of the Jamaica-based Rastafari movement

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This powerful ode to Pan-Africanism is the first full song on the group’s debut album Let’s Get Free. The tune provides a primer on the group’s political philosophy, heroes, and worldview

I bet this is exactly what Dead Prez had in mind when they created the song:
http://youtu.be/I96--PeT-kk?t=3m10s

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The emphasis here is that African Americans, and other members of the African diaspora, should think of themselves first as Africans, rather than as citizens of whatever country they may be in. They should remember that they are in a new country (and likely an unfair political/economic situation) not due to any fault of their own, but because of the trans-Atlantic slave trade

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The group engages in a textbook example of reappopropriation here – members of a group reclaiming stereotypes/slurs/etc. that have been used against it in a disparaging way. The practice has a long history in sexuality, politics, ethnicity, and especially religion – the terms “Christian” and “Methodist” were originally insults

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dp lays out their outlook here in just a few words. They are both Afrocentric black nationalists – thus the wearing of African dashikis and the listening to political rappers Public Enemy. However, to get their way, they will get gangster with it – thus the militaristic camo fatigues and the soundtrack of proto-gangsta-rappers N.W.A. This philosophy is summed up in the group’s catchphrase and later album title RBG: Revolutionary But Gangsta

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This last verse firmly puts this song in the then-popular category of message songs against what was referred to as “black on black crime”

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Billy should have let old slights go in the name of racial solidarity. However, his pride and drunkenness caused him to shoot his rival instead, and pay the price for it

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“Hella” is such a notable piece of Northern California slang that it even has its own Wikipedia page

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