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Fame comes with a price, and Em knows this better than anyone. He was arguably the most talked about artist at the time.

Speaking of fans bothering him is a reoccurring topic in his music, especially on his guest verse on Xzibit’s “Don’t Approach Me.”

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This track wasn’t meant to call out any rappers, but its intended purpose is more to celebrate their success. Mr. Ferrari, is one of Fif’s nicknames.

Similar to Fifty, Eminem adopts some of Snoop’s lingo. He’s not allowed to say niggas, so goes for a Snoopified version of wiggas instead. The last line reads, “Come on, what kinda fuckin' question is that?”, as in it’s painfully obvious Shady/Aftermath is running the game.

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Sit back and listen as Professor Jackson gives a lecture on the microeconomics of prostitution. Then head over to the remix for an extra lecture from uncle Snoop.

“P.I.M.P.” is the third single from Get Rich or Die Tryin'. The track was a great commercial success and peaked at #3 on the Billboard Hot 100. The song was later certified Gold by the RIAA..

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He ended the previous verse by transitioning into the hook in an identical manner (“Bitch, I'ma kill you!”), so here he fakes out interpolating the hook to play with the listener. Biggie did something similar on “Warning”. This is one of Eminem’s favorite tricks, a fake-started hook, which can also be seen in “My Darling” in the first verse, his verse on his crew, D12’s “Shit Can Happen”, and his first verse on another D12 song called “Shit on You”.

It’s unknown if Em is unaware that ‘drug’ isn’t the correct past tense of ‘drag’, or if it’s intentional, as he has already used it in his somewhat unrecognized song, “Murder Murder”:

Drug her by her hair
Thinking fuck it, mug her while you’re there

“Paint the forest” means that when he drags her into the forest it will become covered with her blood, and hence “painted”.

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O. J. Simpson was on trial for allegedly murdering his ex-wife, Nicole Brown Simpson, and waiter Ronald Lyle Goldman. While not a machete, the murder weapon was believed to be a 15-inch (380mm) meat cleaver. O. J. also got away with his alleged murder case, just like how Eminem will get away with his.

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The end of this verse/letter has a very casual tone. It shows how much Em means to Stan, but it doesn’t seem as if he’s overly worried that he won’t respond.

As a result of this song, “Stan” would enter the vocabulary to mean an overzealous fan. While it may be coincidental, some have speculated that Stan is chosen as a portmanteau of stalker and fan. Though the music video reveals that his full name is Stanley Mitchell, as indicated by his gravestone.

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Here Eminem is poking fun at the critics who question the spotlight the media lets him have. Since his lyrics often depict violence and drug use they can’t fathom why he would deserve that kind of coverage.

Eminem graced the cover of Rolling Stone in 1999 and had his own cover story. He was on the cover of the magazine another 4 times, so presumably they didn’t care much about his content.

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“Bitting,” or stealing, is highly frowned upon in hip hop. To not only accuse someone of stealing styles, but to claim that they’re worse than whom they’re stealing from, is incredibly disrespectful and is sure to hurt anyone’s pride.

Eminem himself was accused of imitating Nas and AZ on his independent debut Infinite, so he switched things up for The Slim Shady EP to create his own identity.

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The fact that Stan addresses Eminem as “Slim” demonstrates how he cannot differentiate reality from fiction. Slim Shady is a made-up character, but Stan believes that’s who Eminem is.

Stan is so desperate for a response from Em he gave all the info he could. Sadly, the chance of Eminem responding back was slim (no pun intended), as he was a superstar at this time with presumably thousands of fans sending him mails everyday.

In Stan’s mind Eminem can do no wrong so someone else must be at fault for Eminem not coming back to him. His sloppy handwriting can even be seen as symbolic of how unhinged Stan is. In the music video, this letter actually does get left behind on the mailroom floor.

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This hook samples Dido’s 1999 track “Thank You,” and contains similar themes – Stan’s wall of pictures was full of Eminem posters. The song didn’t get much attention upon its release, but jumped up the charts after being sampled by Em.

Dido was terrified of meeting Eminem because of his legal troubles and subject matter, but described him as “lovely.”

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