What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

This line refers to Isaiah 14:12:

How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Track #3 on Max Romeo & The UpsettersWar Ina Babylon, Romeo’s fourth studio album and the first featuring The Upsetters as backing band & Lee Perry as producer.

This iconic Max Romeo song is referenced by numerous artists in many genres. The album itself is considered one of Perry’s ‘Holy Trinity’ of early classic albums on Black Ark Records, along with The HeptonesParty Time and Junior Murvin’s Police and Thieves.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

In 1972, the only way to hear cats laying down some rock & roll for UK kids was evening shows coming from Continental Europe. They faded out and in on waves of phase, and voices from other radio stations interfered. It could’ve been hazy cosmic jive!

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Mr Isaacs wants peace to smoke his ‘erb with his chums. Then along comes a pesky policeman…

Here is a lovely version with Macka B, recorded when Gregory Isaacs was much older:
http://www.youtube.com/watch?v=mT1pKC1lxXA

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

In Skyfall, the song begins playing right after Bond has been shot and fallen in water. It contains various images of drowning and death such as tomb stones and guns.

Skyfall is also being released 50 years after the first Bond movie, Dr No). In that film, the “Bond Girl” Honey Ryder is tied up, put under water and left to drown. Fortunately, Bond rescues her.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

A sly reference to Johnny Rivers' “Secret Agent Man” (“They give you a number, and take away your name”), regarding how secret agents hide behind codenames that can be simply numbers… like 007.

If thought of from the perspective of M, these lines could also represent the film being the last with Judi Dench as the character. Her successor will essentially take her number and name.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

In Judaism, there are many ways of referring to God. God’s true name is said to be YHWH, but the vowels are unknown, and pronouncing the name is forbidden based on Exodus 20:7. Instead, observant Jews use the word “HaShem”, which just means “The Name”.

Interestingly, the only people who could pronounce the name in ancient Israelite society were the priests (Cohanim). According to Maimonides, priests would pronounce God’s name in the temple in Jerusalem as part of the Priestly Blessing. Leonard Cohen himself comes from a priestly family (the name Cohen means “priest” in Hebrew), and is familiar with the blessing, but does not know God’s name.

In the context of the following verses, it’s clear that knowing God’s name is a personal matter, not to be judged by others. “There is a blaze in every word”: everyone has the right to see the divine in his or her own way.

To an orthodox Jew, the word Hallelujah itself is forbidden outside of prayer. He knows that some people listening to this song will accuse of using God’s name in vain. This is his response. Why can’t I use God’s name? I don’t even know who he is. “What’s it to you?” Why do you care?

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

The Arc de Triomphe was commissioned by Napoleon after a victory in battle; it’s one of many marble arches still standing in modern cities. (Another in London is literally called Marble Arch.)

A photo from WWII shows the Germans marching into Paris, with a huge red swastika flag hanging from the Arc de Triomphe. Leonard sings about the Nazi invasion of France in The Partisan.

During a performance in Montreux on 1985, Leonard introduces Hallelujah as: “a song about the broken”.

Also, during this performance (in 2009), Cohen sings this last verse as “It’s a cold and very lonely Hallellujah”.

Further, some people fall in love and believe that that is the hard work done, and so “hang their flag on the marble arch” and march in victory.

In truth, falling in love is only the start of a very difficult journey, and whilst young lovers may believe that they are victorious as soon as they have found someone, Cohen knows that in reality, love is far more heartbreaking. As such, love in reality is far more likely to have you praying out of despair rather than singing praise in happiness. Love is more likely to have you asking God for help, than thanking him for what he has done. Love is more likely to have you approaching God from a position of weakness than a position of joy.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

“Reefer Madness,” which shares a name with the 1936 propaganda film, is G-Eazy’s key stoner song for The Endless Summer.

For the hook, G-Eazy sampled his hero Nas’s hit “Halftime.” The song also samples Ambrose Akinmusire’s riff from “Henya.”

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

“I Am the Resurrection” is the classic conclusion to the Stone Roses' debut album. It contemplates how false religion is through a human relationship, finishing with a four minute instrumental outro. Q Magazine voted it the 10th best guitar track ever.

The song’s religious title’s also leads nicely into the band’s second album – Second Coming.

The song was released as the seventh and last single off of The Stone Roses.

This video is processing – it'll appear automatically when it's done.