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This song, in conjunction with the video, tells the story of a woman who has done something she is ashamed of, but can’t come to grips with the fact that she did it

Although what exactly she did is never revealed, the nature of the act is hinted at in the video. She says:

They provoked me. And then… nothing. I didn’t know what I was doing. If I could, I would have changed what happened. But when something has to stop, you find a way to stop it.

So it seems that she murdered – or otherwise harmed – men who tried to attack her, possibly sexually. This theory is reinforced by the fact that the video ends with her washing her hands of blood

https://www.youtube.com/watch?v=GpPDH50P74I#t=473

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The main character feels the need, ashamed and scared, to just run and hide from her deed. Despite her having already been encouraged to face her mistake, she still feels compelled to do just the opposite

These words are sung very slowly and deliberately, covering a lot of time. This seems to indicate that the main character wasted a lot of her time not just considering running and hiding, but actually doing it. This contradicts, though what she actually says in the video: “I cannot run. I cannot hide.”

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“Goldwatch” refers to the film director Jason Goldwatch who has directed several music videos for Jay Electronica, as well as a documentary about independent record label Definitive Jux called Revenge of the Robots which is what the “Robots” in this line refers to

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As outlined in Kanye’s last response, he spent 2010 recklessly, ambitiously, and busily. This draws a neat parallel to Jordan Belfort’s time at the brokerage firms L.F. Rothschild and Stratton Oakmont, famously portrayed by Leonardo DiCaprio in the film Wolf of Wall Street: Belfort’s life was filled with drugs, sex, and huge career success

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This is opposed to how Kanye felt Summer of 2011, when he and Jay were about to release Watch the Throne:

Now I’m about to make them tuck their whole summer in
They say I’m crazy, but I’m about to go dumb again

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Kembe’s a compulsive smoker, and he paints that picture here. He uses images of a wooden cabin being burnt and a chimney, characterizing himself, again, as a heavy smoker

“Woods” here is probably specifically referring to Backwoods, the Village’s cigar of choice

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Kembe was only 19 at the time of this song’s release. He got a bit of a head start in his rapping career by dropping out of high school, releasing his Self Rule mixtape when he was just 17 years old

There’s a slight play on “young,” “time sheet,” and “clocked in” here, and a juxtaposition of “clocked in” and “dropped out”: dropouts are stereotyped as lazy, but Kembe asserts that he’s been working hard ever since he left school

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Kembe’s dad – the OG Loose – used to try to control how Kembe thought, but Kembe moved into a place of his own and is independent of his father’s influence

He’s aired out his complaints with his father’s micromanagement before, in a song dedicated to Loose

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In this crucial scene of the Academy Award-winning film, Samantha, the conscious operating system, begins to express a desire to be more human and her relationship with Theodore strenghtens

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