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El feels that he is so vulnerable to the world that it’s almost like he has a sign on his back urging people to backstab him.

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Mike starts off the album with heavy use of “izzle” slang, first used as part of jive talk by pimps and hustlers in New York, and later popularized by Snoop Dogg.

This sort of pseudo language which is also known as izzo for adding iz in front of the first vowel in the syllable can be used to disguise words for people to use amongst themselves. Here he is disguising Nikes, pipe, knife, right, fright, Mike and then right once again.

Excluding the izzles, Mike is telling us he’s up and about at night, scaring his enemies with the variety of weapons he has with him.

Snoop Dogg goes on to reappear in the Meow the Jewels counterpart of this song, “Meowpurrdy”. Snoop is used in the sample the song is built upon and is featured in a new skit tagged on to the beginning that occurred between Killer Mike and Snoop Dogg himself.

https://www.youtube.com/watch?v=QVwl-T9zKWc

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Mike is driven by thoughts of greed and obsession to get whatever he wants. He recognises these as demons inside him, but still he gives in.

This could in part be commentary on the excessive materialism in American society. People feel like they HAVE to own a particular item in order to be accepted or feel better about themselves.

“I Want It I Need It” is also the name of a song by Death Grips – it’s hard to overlook their influence. RTJ2 shares an aggressively dark and gritty sound with the cult industrial hip hop group.

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Making reference to the last supper of Jesus, where he predicted that one of his apostles will betray him. Of course this is pointless for Neil as there are only 4 members of the house.

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Possibly foreshadowing the end where an aeroplane crashes into their house?

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This is the first example of the destructive nature of the flatmates, again an uncommon feature of TV shows at the time. This increased the cost of each episode massively (which is why they introduced the musical acts – variety shows got more money).

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This is the first example of the characters talking directly to the audience. It happens frequently in later episodes.

This technique is an example of the way The Young Ones broke away from the conventions of contemporary sitcoms and introduced “alternative comedy”.

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The point of this line is that it doesn’t actually make any sense. As explained by Ben Elton in Laughing at the 80s:

First gag – nobody got it, but it was fabulous. And I remember [Rik] saying to me in the pub ‘he the sort of bloke who wants to insult people but gets it totally wrong.’

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The title of the show and it’s theme tune comes from the 1962 Cliff Richard song, which came from the film of the same name (also starring Cliff). Rick, as explained later in this episode, is a big Cliff Richard fan, and referred to him many times throughout the show’s run.

The choice makes sense partly as all the characters are at University, so are in their youthful prime. But also, as explained by Rik Mayall in an interview with Ben Elton, the choice to name the show after it meant a contradiction with the punk movement of the early 70s/late 80s. It was very uncool to think Cliff was great at the time, thus creating a joke and differing conceptions of what being a young person in Britain is actually like (hanging around on the beach having fun vs. going to punk gigs and smashing things up).

http://youtu.be/wUHOmSZwLZE?t=7m48s

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Quite often there are set changes between a pilot episode and the final series. This is an example of this as the set for this house is never seen again.

However, the writers incorporated this into the story by having their house demolished so they could move into a new one.

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