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“The beast” in religious symbolism refers to Leviathan, one of two monsters who do battle at the end of the world. It is often associated with the darkest desires of man, the way violence and chaos destroys a person body and soul, and ultimately it symbolises death. All those who live lives of chaos enter the realm of the beast. And all those who enter its realm are sooner or later consumed by it.

Though there are two beasts, this one would make sense as the EP this song is included on is called Leviathan.

The English conservative thinker Thomas Hobbes wrote a book named after it which states that the only way to govern a country is with a strong authoritarian ruler. Again, Jean feels weak to their presence.

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Hunter’s S. Thompson’s suicide note was released under the title of “Football Season Is Over”:

No More Games. No More Bombs. No More Walking. No More Fun. No More Swimming. 67. That is 17 years past 50. 17 more than I needed or wanted. Boring. I am always bitchy. No Fun — for anybody. 67. You are getting Greedy. Act your (old) age. Relax — This won’t hurt

Released via Bandcamp

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A remix of Busta Rhymes' 1996 debut solo single, “Woo Hah!! Got You All in Check”, he returns with a slower variation of the original track and features his Elektra labelmate Ol' Dirty Bastard from the Wu-Tang Clan. Both rappers were renowned for their weirdness at the time, making this song particularly crazy and the location of the music video set in a psychiatric ward appropriate.

In a 1997 interview, Busta talked about the collaboration:

Ol' Dirty Bastard, he’s like one of the only artists that I see currently that tries to take it to the extreme. […] I always thought, ‘Yo, if me and him did something together, that shit’ll fuck everybody’s heads up. So I was just like, 'Boom! Let’s do the record.’ When we did the record, it was cool. But then when it was time to do the video, that just took it to the next level because now you’re able to see the two of us work together with your own eyes. The crazy, hectic, mad shit, you know’m'sayin'?!

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Backcombing your hair gives it more volume, implying they’re all about their looks and try to look glamorous.

He’s saying that they’re ‘all the same’ to him – he can get sex from any girl he wants. This probably comes as some form of trying to deny that he has feelings for the girl, after realizing she won’t leave her boyfriend for him.

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More Nazi references. This album is chock full of them. It’s hard to tell why the lyrics move to German chanting here, but one reason could be that the failure of democracy and rights in Nazi Germany is similarly nasty and brutish to the difficulties of love.

  • Lebensraum = “Living space.” Used in relation to the Nazi’s need to spread the Aryan race further across Europe by conquering land.

  • Kulturkampf = “Culture struggle.” While the term pre-dates Hitler’s time in power, it does share similar qualities. It refers to Bismarck’s attempts to repress German Catholics in favour of Protestantism.

  • Raus = “Out.” An agressive command found in posters (e.g. “Juden raus!” would mean “Jews out!”)

  • Fila = This word is actually Italian, but is likely to evoke the totalitarianism of Mussolini, Hitler’s contemporary. It’s meaning changes between “queue” and “run away”.

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Interesting stuff:

  • Revol is Lover backwards
  • The word also recalls another – Revolution

These two opposing factors seem to tie up the above mentioned theories about this song quite nicely. Pretty impressive for a 5-letter word.

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Track #6 and the second single from Manic Street Preachers' third album The Holy Bible.

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It’s not a completely anti-American song. It compares British imperialism to American consumerism. It’s just trying to explain the confusion I think most people feel about how the most empty culture in the world can dominate in such a total sense.

So said Nicky Wire in a 1994 Melody Maker interview. A strange defence, perhaps, of a song which seems to have nothing positive to say about America. According to “Ifwhiteamerica…”, American culture is vacuous and its disastrous foreign interventions are only matched by its hapless domestic policy. Later, Wire would clarify:

I know people are going to think ‘Yank-bashing’ straightaway, but I don’t want it to be construed as that. I’m not part of this thing that thinks British music is the best and we should all stay in Britain and wave the Union Jack and then things will be great. It’s just that people do bow down to American culture. Sometimes I think I’ve got to make myself like basketball and stuff like that, but I just can’t.

The bulk of the song’s lyrics were written by Wire, but Richey Edwards contributed a few lines. Most notably, the “Zapruder” line bamboozled Wire at first. As usual, the song’s music was arranged by James Dean Bradfield and Sean Moore.

Note: The actual title of the song is written as “Ifwhiteamericatoldthetruthforonedayit'sworldwouldfallapart”, but it has been spaced out to avoid formatting issues.

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This is a variation of a line from one of their old songs, “Lost Boys”:

She said, “Use your fangs and my spare time
Come on in the car you’ll have a great time"

They have to use her “spare time” because, as is said in the next part, she’s cheating on her boyfriend. There is also a reference to the hands on an analog clock.

Having her tongues in common is a reference to them kissing, which goes to show that there is only physical attraction. The song isn’t about love at all, but about – yes, you guessed it – sex.

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Grae does all this crazy shit, but makes sure that she does it fast enough to get to the bar on time for the last rounds of beer (early morning). If that’s what’s on her mind she clearly doesn’t give a fuck about killing people.

Additionally, this verse is exactly 24 bars long (Verses are most commonly 16, 24 or 32). Thus she’s said everything she’s had to say and is able to call in Monch by the last bar.

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