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Gibson’s Sprawl “is a visualization of a future where virtually the entire East Coast of the United States, from Boston to Atlanta, has melded into a single mass of urban sprawl” – markoff

Consider this idea for the context of the song.

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Phonte and Big Pooh worked with Slum Village’s Elzhi on this track. It was supposed to feature J-Dilla, but his deteriorating health kept him from leaving Los Angeles to come work with LB.

http://www.youtube.com/watch?v=D1W2dWQdjQo

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A classic cut off of the 1994 epic Mars Audiac Quintet, Laetitia Sadier coos in her signature 90’s voice about a world created by humans, progress and lapse.

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The symbols are what we see in IBM, the capitol, etc…Humans created them, they will grow (“Wow”) and eventually fade away (“Flutter”)

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This is the concept of “Wow and Flutter”, that she brings to a crux in the denouement.

The Dinosaur Law relates to secular isms, that won’t hold true forever.

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Here, Laetitia cites examples of societal establishments:

  • Computer magnate IBM (corporations)

  • The US Flag (government)

  • The cold opponent (Russia or the Eastern world)

  • The capital (relates to the flag)

All of these things come and go and were built by humankind.

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All social constructs are fleeting and always in flux.

“Progress” signifies change and change indicates a life cycle…One with a beginning and an end.

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But she now sees the error in her initial thought. That the truth is we are all mortal, as is the constructed world that we live in.

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Laetitia Sadier muses about living the careless life and the bliss that lies in ignorance.

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His crew is the NC-based Justus League, featuring Little Brother, Legacy, Darien Brockington, The Away Team, Median, Buckshot, Sean Prince, Joe Scudda, Nicolay, Chaundon, et al…

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