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No, I’m serious. Unless the compulsion is akin to nausea, don’t do itAnimated Gifs

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Unless you really can’t help it, don’t be a writer!

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This is one of the most famous opening lines of any love poem in the English language, as instantly recognisable, almost, as “Shall I compare thee to a summer’s day?” Shakespeare’s Sonnet 18.

It begins with a rhetorical question, which Elizabeth Barrett Browning immediately answers herself, a device known as hypophora. It is a first-person narrative, addressed to her beloved ‘thee’, that is, Robert Browning. ‘Let me count the ways’ has an innocent, almost childlike effect as if she wants to ease the reader gently into something that will develop into a declaration of adult passion. The simple beginning is in contrast to what follows; highly intelligent and cleverly written. The mood is very much Elizabeth’s own internal search for the expression of her powerful feelings.

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A brilliant ending to the poem. Williams brings the poem back to the beginning, reminding the reader that he is still the head of his household despite the previous moment of reckless abandon. He is able to play “contradictory” roles – Father and Freak, Doctor and Dreamer, Man and Maniac – because Williams measures manhood in happiness and passion.

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Williams then stands in the North room, admiring himself in the mirror. He’s no Adonis, but he revels in his body. To him, it is beautiful even in its age.

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Clearly, Williams is not alone, with a wife in bed, a new baby and the nanny to keep his house together. His loneliness spawns from a lack of personal identity. He feels lonely because as a man he is unable to connect with the women in his house, as a poet he is unable to connect with the blue collar men in his world, and as a pediatrician he is unable to connect with the “real doctors” in his field. With this mantra, Williams embraces the fate he’s been given, and prepares himself to go on with the life he’s chosen, dignified and respected.

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This behavior isn’t what society would expect from a man, let alone a doctor and a father. The use of “grotesque” in this instance refers to uninhibited passion completely divorced from the constraints of society. In this phrase, Williams is coming to terms with his own barbarism, the part of his soul that has been suffocated and rejected by a domestic lifestyle spent delivering babies and providing for a house of women.

Also a poet precursor to Billy Idol:
http://www.youtube.com/watch?v=vpcO3txM0As

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The speaker is a husband and father. He is isolated in his own
house, not only physically in his “north room”, but also as the sole male figure in a family of females or sexually ambiguous babies.

Kathleen refers to Kathleen McBride, the Williams' nanny, which places William Carlos Williams immediately in the position of speaker. This is a personal poem.

Husband, Father, Doctor, Poet, Baller

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Beautiful morning imagery. The speaker is waking up to a rare moment of solitude and quiet.

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