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“Shadow Moses” is the lead single from Bring Me The Horizon’s fourth album Sempiternal.

Also, six years after the release of 2013’s “Shadow Moses,” Bring Me The Horizon entered in the soundtrack of Hideo Kojima’s DEATH STRANDING, a 2019 game from the same creator of Metal Gear.

In a track-by-track interview with MetalFuckingSucks, vocalist Oli Sykes explained:

We actually never intended for it to be a single! We had that Warped Tour show last year and thought it’d be a good song to play and maybe put out for free, to bridge the gap between our last record and this new one, and it’s good to play live. But, management said ‘This song’s too good, you can’t put that out for free!’ It came out a lot better than we ever anticipated, but I still think it’s the ‘safest’ track on the record. We also thought having the single as track six was a great statement because it showed the level of this album. Most bands have the single as the first track on their album.”

In another track-by-track interview, this time with SugarScape, bassist Matt Kean revealed:

The title is from a computer game called Metal Gear Solid. It’s the opening bit with the people like doing the spooky singing, that’s a melody from the game a lot. I think we’ve had songs in car racing games or something, but we all want one in FIFA or something cool like that.

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An attack on organized religion and the idea of a “deity.” Bring Me The Horizon asks for a reason to believe with “The House of Wolves.”

In a track-by-track interview with MetalFuckingRocks, vocalist Oli Sykes explained:

Lyrically, it’s all about religion. Before we wrote this album, I was in a position where I was asked to believe in God, to get better, and I just couldn’t understand that, so that’s what I wrote from. It’s about [how] there’s no salvation, there’s no one that’s gonna save you. You’ve got to get better because you want it for yourself, your family or your friends, not because you believe there’s a man in the sky.

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“Can You Feel My Heart” is the opening track and third single (fourth in the US) from Bring Me The Horizon’s fourth studio album Sempiternal. The song leads with Oliver Sykes’ depression.

The song’s looped vocal pattern was created by Fish as Sykes couldn’t think of lyrics that fit in the chorus, but they then became a significant part of the song’s structure.

The song is credited by Sykes as:

Admitting you have a problem, and admitting something’s wrong. That’s the first step of the whole album.

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Death Cab for Cutie is an American rock band formed in Bellingham, Washington in 1997. The band consists of frontman Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). The band was originally a solo project by Ben Gibbard, who later decided to expand the project into a complete band. In 2014, founding guitarist and producer Chris Walla announced that he would be departing from the band after recording their eighth studio album, Kintsugi.

Frontman Ben Gibbard took the band name from the title of the song written by Neil Innes and Vivian Stanshall and performed by their group, the The Bonzo Dog Doo Dah Band, in The Beatles‘ 1967 film, Magical Mystery Tour. That song’s name was in turn taken from an invented pulp fiction crime magazine, devised by Richard Hoggart as part of his 1957 study of working class culture The Uses of Literacy. In a 2011 interview, Gibbard stated “The name was never supposed to be something that someone was going to reference 15 years on. So yeah, I would absolutely go back and give it a more obvious name.”

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A final plea to his love saying “Come on, come to me so that we can be together.” Again repeated to express his desire for them to be together, but the song ends with his pleas going unanswered.

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While a lake is usually a vast, open body of water, easily traversable. A moat is not so, as one is usually designed to keep people away. The songwriter sees this as something designed to keep him away from his love, not simply a vast area to explore as the others see it.

lake:

moat:

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Benjamin Gibbard’s middle finger to distance, in “Transatlanticism” we hear a story of a man who has been distanced from his love both internally and literally by her being an ocean apart from him.

This song is featured as the main track in the album Transatlanticism.

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The songwriter was standing on the surface of the earth before the rain came pouring down. But the water did not simply sit on the surface, since this sphere was perforated the water seeped down inside the earth allowing it to hold more water and thus create the ocean.

The deeper meaning here is that this sphere represents the songwriter’s heart and how his sorrow has filled it up, almost to the point where he is drowning in it.

The reference to water filling holes echoes “Marching Bands of Manhattan”:

Sorrow drips into your heart through a pin hole
Like a faucet that leaks, and there is comfort in the sound
But while you debate half-empty or half-full
It slowly rises, your love is gonna drown

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The clouds let out a tremendous rain, enough to create an entire ocean. But there’s a deeper meaning here, this song is not just a simple retelling of how the Atlantic was created, but more about the songwriter’s personal sorrows and (obviously) tears that came with that sorrow. He has cried so much due to his love being so far he could fill the Atlantic Ocean.

Death Cab for Cutie is originally from Bellingham, Washington very far away from the Atlantic, so the increased distance has made the songwriter extremely sorrowful.

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The author acts as a storyteller, giving us his rendition of how the Atlantic Ocean was formed. The album’s title “Transatlanticism” refers to this line and this song.

The term transatlantic is used to describe something that spans across the Atlantic Ocean. In this song’s case, it refers to the distance between the songwriter and his lover.

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