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It doesn’t matter where the people go, up or down, panic will still get them. “Hey, let’s get the fuck upstairs!” BAM! Panic. “Fuck that, let’s head to the basement!” Nice try, Panic is there too.

I think Panic might also be at the disco…

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Off of Edan’s Beauty and the Beat.

Edan describes a murder (a couple, actually) with a lot of details left out, and is really a song that depends on the listener as much as the artist, and can be interpreted multiple ways. Hence the title “Murder Mystery”

This song relies heavily on figurative language and imagery, while still maintaining solid lyricism. This is probably as close to poetry as modern-day rap gets.

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In a backwards fashion, Edan describes the person who died for his beliefs (a martyr). He was a arrested in high-school and shot his father, Michael. Edan makes a statement that this incident was a predictable event that could have been predicted. If something is a cycle, it repeats itself over and over, and the outcome is always the same.

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One of the signs of the apocalypse is the 4 Horsemen. So, Edan is describing a pretty bad situation here.

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Do you want to round out your mother’s China set in a fun, modern, fucked-up way? If so, then this is for you!

… Oh yea, the roller coaster incident was caused by this.

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A roller coaster lands in the sea (what poor planning from that engineer… Who puts a roller coaster next to the ocean?!?!)

The yelling and screaming caused by the crash is offset by the splash.

This is also a reference to Newton’s Third Law, which states that every action has an equal and opposite reaction. So, the force of the splash is the same as the force of the coaster. Now, this could be a coincidence, but Edan raps a lot about science so I doubt it. There’s your Physics lesson for the day, kids.

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Keeps the worldly theme running into this line too.

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Nice way to keep the glass theme running into the second line. Here’s some traditional robes from Japan.

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A pretty cool way of saying that time is up, what’s about to happen is close.

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Epic freestyle by Eminem and Royce da 5'9", a.k.a. Bad Meets Evil, on The Stretch Armstrong Show. Eminem’s verses can be heard on other freestyles, but Royce’s are pretty rare. Here’s some more info on this freestyle:

By the accounts of those involved, this wasn’t planned. They all got wasted and decided to roll to the studio where Em and Royce grabbed the mics and ripped it; putting on what some critics say is one of the greatest radio freestyles of all time.

“Back when aspiring rappers actually had to prove they had bars to gain acceptance in the hip-hop community (especially if said rapper was a white boy), Bad Meets Evil approached the scene with reckless abandon. For 12 unforgettable minutes on Stretch & Bobbito’s airwaves, the new kids from Detroit proved that they could compete with even the greatest and most established rappers in the game.

Complex Magazine [editor in charge] Noah Callahan-Bever was in the studio for this freestyle (read about his experience below) and rumor has it that both Bad and Evil had indulged in a little bit of ecstasy before jumping on the mic.

With Em playing the comedic role: “Stole your Mama’s Acura/Wrecked it and sold it back to her;” Royce was far more menacing, kicking threats like: “I got cats with bats you wouldn’t play hardball with.” And if you think Game’s a name dropper, Slim Shady called out more celebs than you could count on four hands.

It’s just a shame it took upwards of twelve years for these two to rekindle their working relationship. But it was evident early on that they were poised to do big things

And my bad for the Complex reference.

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