Gimme is not one person. I’m talking about a lot of different situations. But in every situation, the person is like, “Gimme, gimme, gimme."I’m not talking towards one dude. It’s a lot of muthafuckas. Gimme just be somebody that be around. A real homie. I’m a good dude, so I done did or got a lot for the homies and people, period. Then some people get used to you just doing stuff for them, that they continue to just keep expecting shit and it’s like, "Bro. Nigga. When is this shit gonna stop? You ain’t my kid.”

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I did the second verse to “Twist My Fingaz.” The day after that, I had my baby shower. It was the next day after that [I got shot]. Went to the studio again and everybody was talking about what happened. Niggas don’t know. Ain’t nobody said nothing. So we talked about it for like a hour or two.

After we got done with the conversation, I just told [DJ Swish] to play a beat. He played another beat and then he played that beat. And when that beat came on, I was just like “Who shot me?” That’s how the record came in. I started just going in.

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Catch yo ass slippin' at the BET Awards! That’s just a check-in line. Check in. When you niggas get out here, you gotta call in. Check in.

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I’m talking about all the muthafuckas that come from out of town to L.A. and start trying to be part of the gangbang culture. They never was. It’s real out of town people that’s a part of the gangbang culture. I ain’t talking about them. They solid. It’s the ones that come to L.A. for whatever reason they come to L.A. for rap shit. Just industry shit, period. You start trying to be a part of the culture, and it’s just making us look watered down. So I’m speaking up on it. People feel like that, but you know, I’m the one that’s moving around and got what I got going on, so if I say something, it’s a little different.

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The Benz was just the next car that I wanted. I had the S550 and then when I got shot we got into a car accident on the way to the hospital so I totaled that bitch.

But I had some insurance, so I was good. I was like, “I’m not about to get into the same whip, I’m gonna take it to the next level.” So I got the Maybach.

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I got that line off because everything going on right now with the police shooting blacks.

I’m incorporating a lot of that shit in my music because that’s what’s going on. I’m the type of nigga that I’m say something ‘bout it, I’m gonna take the Malcolm X approach and say something 'bout it.

I don’t care if the song is turnt up, I want all my records to mean something. I had to put some real shit up in that joint.

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I mentioned her name in that bar because right before I did my verse on the record, I had a concert and I did the afterparty— me and her were in the afterparty and we were just up in this club.

I passed her some bands, she threw the bands and I put it in the record. Nothing to serious.

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Using this sample was me and Sickamore’s idea.

For the video, I want to recreate that scene from “Menace II Society.” So before we put the record out, Sickamore said, “Why don’t you put the real movie clip as an interlude in front of the song?”

https://www.youtube.com/watch?v=-QIES8NBf7c

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In the 1990s through the early 2000s Snoop had it and we loved it. Everybody loves Snoop Dogg and still loves Snoop Dogg and all of Tha Dogg Pound. That’s who was moving the culture. Now it’s the other way around.

I’m talking about the music, I’m talking about within the rap game.

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