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GLaDOS has a number of Personality Cores attached to her body, and these cores inform/direct different parts of her identity. The ones most relevant to the Portal series (and LEGO Dimensions by extension) are her Morality Core (installed after the first time she tried to gas Aperture Science with a deadly neurotoxin) and her Anger Core (pretty self explanatory).

Removing/adding cores is the only known way to manage GLaDOS' antics, aside from shutting her down completely (the much safer thing to do). In Lego Dimensions, the main characters recruit GLaDOS to help defeat the main villain by re-installing her Morality Core, which they seemingly leave there after succeeding.

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GLaDOS casually namedrops Batman in an attempt to undermine Chell’s confidence and demean her limited social circle.

Batman and GLaDOS do, indeed, know each other in the context of Lego Dimensions, but their relationship is lukewarm at best.

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In September 2015 Warner Bros released a Portal pack for their franchise mashup game LEGO Dimensions. The pack’s credits roll to this song, a new piece written and performed in the Portal tradition by Jonathan Coulton and GLaDOS voice actress Ellen McLain.

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The chorus is the only section of the song used during regular episodes:
https://www.youtube.com/watch?v=CiejQyVI-F8

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The end of a (serious) romantic relationship can have drastic effects on everyone involved, particularly if your relationship has lasted for a significant amount of time. Most, but not all long-term relationships are built on the mutual love and respect of both parties. You get so used to saying “I love you” to that person that when the relationship reaches its end, the meaning of the phrase changes in a fundamental, often irreversible way.

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Buttonhole tunes are essentially small, often forgettable jingles (hence the name: buttonholes are tiny things). Think about if you’ve ever whistled while you wor-

-no, not like that. Like if you just made up something on the spot, and then forgot it two seconds later.

The songwriters clearly saw the act of musicmaking as a cathartic one, a healthy way (if sometimes nonsensical one) to process one’s emotions following a bad breakup.

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“No More I Love You’s” was originally written by David Freeman and Joseph Hughes for their band The Lover Speaks. Annie Lennox covered the song in 1995, and it became a mega hit. She won a Grammy for the song in 1996 for Best Female Pop Vocal Performance.

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“Giant Woman” is a song from Steven Universe and performed in the episode of the same name. In this number (the first of the show) Steven does his best to convince Amethyst and Pearl to fuse, a process that combines the powers of multiple gems into a single entity that takes the form of…a giant woman.

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This line calls back to the episode “Alone Together” where Steven and his friend Connie Maheswaran fuse into Stevonnie.

Steven and Connie shared one body but they were of two (maybe 1.5?) minds, and their fusion was a dialogue between the two personalities – and whenever Stevonnie speaks, they speak differently depending on which personality is making the comment.

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On the surface, this is empty braggadocio; Jasper gets several solid hits on Garnet throughout the fight (she even cracks Garnet’s swag glasses!).

Truthfully, this line is about Garnet’s fusion status and determination. Jasper is nothing but derogatory about the concept of fusion and Garnet refuses to let Jasper’s opinion of her existence wound Garnet emotionally or distract her from kicking Jasper’s ass.
Even if Jasper hits Garnet with all her strength she’ll suck it up and keep fighting. Garnet invites Jasper to try and hit her all she wants, it won’t stop her from winning and proving her worth as a fusion.

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