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Brooke Shields (aside from flubbing in the opening number) presented the award for Best Featured Actor in a Musical, before which she talked about said flub and in voicing her nervousness/frustration about the whole thing inadvertently released a stream of curse words (which were subsequently muted for broadcast).

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John Larroquette is a film and TV actor who received the Tony Award for Best Featured Actor in a Musical and gave quite the acceptance speech. He gave special thanks to co-star Daniel Radcliffe, saying:

without whom I know, that I would be home sitting in my underwear watching this on television

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“Stockholm Syndrome” is the fifth track and first single of Absolution. It literally is a single, because it doesn’t have any B-Sides.

The full ass-kicking of this song can really only be expressed at a live performance.

Stockholm syndrome is a psychological response where a captive begins to identify closely with his or her captors, as well as with their agenda and demands. The name of the syndrome is derived from a botched bank robbery in Stockholm, Sweden.

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Martin will be there for his love no matter if times are good or bad, rain or shine, joy and sorrow.

This interlude sounds like one representative of unrequited love. Both the singer and the object of his love are in a very ambivalent point of their relationship (in a haze, a stormy haze). Martin is committed to the other person, indicated by his saying that he’ll be around loving her.

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The final track on Parachutes, “Everything’s Not Lost” also contains the hidden song “Life is for Living” on the album.

The track features a leitmotif of not giving up and defeating all ‘demons.’

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The ninth track of Parachutes. Like many songs on the album, the track is layered in metaphors and can readily describe either a relationship or the world as a whole. The song remarks on our limited ability to change our behavior and circumstances and how those limitations affect our relationships.

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The eighth track of Parachutes talks about a relationship that is unsustainable. It was the only song on the album recorded in the ‘90s and not produced by Ken Nelson.

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The title track of Parachutes is more of an interlude than a fully fledged song; its total running time is 46 seconds. Such interludes would not appear again on a Coldplay release until 2011’s Mylo Xyloto.

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“Trouble” (originally titled “Spiderwebs”) is the sixth track and third single of Parachutes. This song actually has two music videos: the first video was done in the UK, but Martin ended up hating it and the label thought it was too dark for American audiences; the second video is much more light-hearted.

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“Yellow” is the fifth track and second single from Coldplay’s 2000 debut album Parachutes. It is one of their oldest and most enduring hits, continuing to be a celebrated staple of live performances even today.

The title of the song came from the feel of the band during its composition, which was described as filled with “brightness and hope and devotion.” However, the lyrical content was inspired by lead singer Chris Martin’s “unrequited love”.

(Source: Coldplay: Nobody Said It Was Easy by Martin Roach)

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