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Captain is being completely honest when he says that they tried even harder against the Norweigians than their previous challenege.

“Doubly redoubled strokes upon the foe”

They tried twice as hard, and re-loaded the canons with double ammunition.

The introduction of the cannon in that area was in the 1300s. The historical King Macbeth lived in the middle of the eleventh century.

So the play isn’t strictly historical, but cannons make for a good mental picture at the start of the 1600s, when Shakespeare was writing.

Doubles are also one of Shakespeare’s favorite motifs (“double, double, toil and trouble”), and the idea of doubly redoubling is a way not only of emphasizing Macbeth and Banquo’s efforts, but also doubling the word “double.”

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Just as placid weather can suddenly bring violent storms, something very sudden happened during the battle. They had won the battle against Macdonwald, but suddenly that created more problems for them.

The idea of comfort containing its opposite is another example of paradox in the play, “fair” containing “foul.”

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According to the Oxford World’s Classics edition,

“cousin is used for any members of an extended family but also, as here, of a nobleman of his own court”.

Duncan is referring to Macbeth, whose valiant efforts against Macdonwald are most worthy. He is also, however, using very similar language to describe Macbeth as the Captain has just used to describe Macdonwald, i.e. “worthy.”

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Macdonwald didn’t even have time to say good-bye or shake Macbeth’s hand, because Macbeth had already cut him open from navel to jaw (“nave to th' chops”).

Macbeth then cut his head off and fixed it atop the castle walls (battlements) as a trophy.

The Captain gives us our first conflicted characterization of Macbeth: a brave warrior, from his fellow soldiers' perspective, but maybe a little too “disembowelment happy” even for the battle standards of the time. The gruesome description is deliberately unsettling: Shakespeare introduces our “hero” as a blood-soaked killer.

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Macbeth deserves to be called brave, given the way he’s just fought. With his destruction, he was basically laughing at the luck (“Disdaining Fortune”) that Macdonwald had on his side. He easily killed him. Additionally, this foreshadows the future murders he commits in which he is also “disdaining fortune” whether one interprets “fortune” to be fate or luck.

The reference to Macbeth’s sword, “which smoked with bloody execution,” may be a bit of poetic license on the part of the Captain. Alternatively, it could reflect the dank Scottish air meeting the warm blood of those executed on the battlefield. Either way, it foreshadows the “executions” Macbeth will commit later in the play.

Also note the somewhat infernal tint to Macbeth’s actions, since he is here disdaining Fortune, which is often described in battle as being on the side of Providence. Compare his disdain in 5.5 as doom approaches:

Hang out our banners on the outward walls;
The cry is still ‘They come:’ our castle’s strength
Will laugh a siege to scorn…

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The battle was very close for a very long time, and the side that would eventually turn up victorious was hard to predict.

Men fought like tired swimmers who cling together and wind up making it harder for both to swim. If two swimmers were to cling together they would not be able to swim. If they can’t swim their art is ‘choked’ or halted.

The swimmers clinging together is likely more an overall metaphor for the battle, not a direct representation of the individual soldiers.

It is also a deft bit of foreshadowing. The captain is obviously saying that the outcome of the conflict between Macbeth and Macdonwald was at first uncertain, but note that the play’s introduction to its main character is to describe Macbeth as physically entangled with – and equally violent as – the rebel that he was sent to dispatch. Further note that the rebel in question is described as paradoxically “worthy” of his epithet and aligned with “Fortune” in a scene where the man bringing good news is introduced as “bloody.” The morally ambiguous fog of the play’s first scene permeates Macbeth, which renders a world where it is not possible to make easy distinctions between notions such as “foul” vs. “fair.”

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Malcolm is praising the Captain for his brave acts in the battle. The Captain did something heroic to save Malcolm from being captured, and is now invited to tell his tale to the King himself.

The title ‘sergeant’ does not contradict ‘Captain’: a sergeant was originally a tenant by military service, attending a knight, and so equivalent to a comissioned officer in modern ranking

broil
broil 2 (broil)
n.
A rowdy argument; a brawl.

intr.v. broiled, broil·ing, broils
To engage in a rowdy argument.

Broil was used specifically for military engagement when confused, especially in civil war, whereas ‘battle’ was clearer both in issue and in honour

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The second witch also has a familiar (companion spirit) in the form of a toad, whose name is Paddock (from the Middle English paddok ‘toad or frog’).

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The first witch has a “familiar” (companion spirit) in the form of a cat, whose name is Graymalkin, meaning gray cat.

The “Gray” part of the name is the color; the “Malkin” part was a nickname for Matilda or Maud that could be used as a name for a cat.

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The first witch asks where they will meet next, and the second replies that the witches will meet “upon the heath,” or in an open field. These highland heaths, or moorlands, are the wilderness of Scotland. It is significant that Macbeth meets the witches here, in a setting beyond the borders of the civilized world.

A heath is also the setting of several key scenes in another great Shakespearean tragedy, King Lear.

The witches finish each others' eerie, clipped lines, in a way that contrasts with the meaty pentameters of the human characters.

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