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She wants to make love, she can’t take it anymore. She uses “off her toes” as a another way to say she’s been swept off her feet or she’s falling head over heels for this person.

She’s in complete ecstasy off of what she feels for him. If this person was a drug, she’d never want to come down.

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One of the truest statements ever made. An emotion like love is indescribable in many aspects: virtually, physically, mentally, etc. While many have given it their own definitions, the only way to know it’s true is by the feeling it gives you when you’re around the person or persons you love.

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His friends were probably the inspiration for the song too.

In every James Bond movie ever! There is always some woman 007 has sex with.

Groupies only hang around artists so they can be known or to try and have sex with them (usually the latter). Looks like his song for an actress finally panned-out.

Hoodie is the main event, while you’re just something the “oh, okay, yeah I remember that, kind of.”

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Hoodie went to an Ivy League school, University of Pennsylvania to be exact. Jay Z and Beyoncé have a daughter named Blue Ivy.

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He probably added a happy face too:

And when you ask me sign your boobs I smiley face my signature

She probably likes his music but she really only came to gets Hoodie’s recognition. At the show and possibly in the bed.

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It’s unclear what type of love she means and from who? Seems it can be from anyone: family member, friend, affection; but it has to give them a reason to go out and live.

They need someone to drag them out of their loneliness.

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Jon mentioned these lines are double-sided in a sense:

A lot of those things are so important to me. There’s a duality to it. Even with “Luxury,” there’s a duality. The success comes, but you don’t realize like, Robin Williams. That’s all I have to say. Robin Williams. Happiness is so relative. I know people with zero dollars that are happier than some of the artists I know that are millionaires. So you’ve got to really keep your head on straight. The money is going to come, and it’s going to go. You’ve got to get right before God. That’s the end all be all, to me at least. So it has a lot to do with that, keeping your head on straight.

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Jon was asked about how vocal he was about his influences in this verse during an interview with Complex. He responded with:

The first 12 bars of “Pre-Occupied” explains my entire career. My brother is 10 years older than me, so whatever he listened to is what I listened to, and it was all rap. So Wu-Tang raised me, but then my sister showed me Death Cab for Cutie and I was like, “This is giving me the same goosebumps as Wu-Tang, but they’re not talking about the same things.” It’s completely different ends of the spectrum.

So Wu-Tang raised me, Death Cab changed me, and even though I blend all these things, you should go ask Rihanna if my pen game’s crazy. I had the No. 1 record [in the country]. And my artistry is everything, that’s my baby. I’m trying to change music and put music out for free, but when it comes to making records, “Fuck you, pay me.” Realize that I’m funding my own videos through writing records for other people.

My whole album destroys “The Monster.” I love that song. That was my first No. 1 record, and that’s phenomenal. But every record

EVERY RECORD ON MY ALBUM LITERALLY TAKES ‘THE MONSTER’ AND BREAKS IT OVER ITS KNEE.
on my album literally takes “The Monster” and breaks it over its knee, and that’s not a shot to Eminem or Rihanna. I considered that song a stepping stool, not a validation. It’s amazing that people like my artistic point of view when writing for other people, but my artistry is everything.

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Jon had this to say about Audra Mae in an interview with Complex Magazine:

Audra Mae’s vocals on “Luxury,” she sounds ridiculous. I’m not going to name any names, but there’s a lot of artists that could have sang that, but they couldn’t have freaked it like she did. So it doesn’t matter to me that she’s only got 5,000 followers [on Twitter]. Because when the 15-year-old who doesn’t give a shit who Jon Bellion is or Audra Mae is hears it and doesn’t see what I look like, that’s what’s going to live on through time.

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The term “oi” (sometimes spelled oy) is bigger than many might believe as just a call (meaning “hello” or “hey”) or a chant. It was actually a movement and subculture in the UK. British rock bands chose the word as method to describe their style in the 1980’s and commonly associated with British Punk bands (and skinheads). A common misconception is that the movement was racist, but no band within the subculture ever promoted racism.

The meaning of “oi” has been expressed in several ways. Ex:

Writing in late 1981, the punk poet Garry Johnson described Oi! as being ‘about real life, the concrete jungle, [hating] the Old Bill, being on the dole, and about fighting back and having pride in your class and background’. For Garry Bushell, who adopted the term in late 1980 as the title for a compilation LP designed to reassert punk as a form of ‘working-class protest’, Oi! comprised ‘a loose alliance of volatile young talents, skins, punks, tearaways, hooligans, rebels with or without causes united by their class, their spirit, their honesty and their love of furious rock ‘n’ roll’..

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