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A “ticket-of-leave” was essentially the nineteenth century version of parole; the phrase is meant to disgrace Michaelis, with its ironic juxtaposition of prison and saintliness. It doesn’t quite occur to Vladimir that Christ and his apostles were also criminals and lawbreakers on the side of the hated and dispossessed.

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The idea is to make anarchist terrorism appear utterly irrational, and divorced from any social cause that might inspire sympathy or political solidarity.

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There is something infernal, perhaps even Satanic, about attacking (the idea of) the heavens themselves.

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This is more than slightly ironic, given the target he is about to suggest: an attack on a scientific institution.

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He is establishing his freedom and independence – both his actual liberty from jail (he’s been talking about his life in the dope game), and his freedom from the “dead” hip-hop stultifying the rap game ca. 2008.

William Wallace, of course, is Braveheart — who ends the eponymous movie by screaming “freedom!” as he is tortured to death by the English. Is Liva suggesting an analogy between the oppressed/colonized Scots and African-Americans?

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This is sort of an ugly story, although Daisy and Jordan seem to find it rather amusing.

The Buchanans' butler, it is supposed, was not always a butler — he was formerly a skilled artisan, working in what appears from the story to be dangerous and exploitative conditions. Finally, his health deteriorates, to the point that he can no longer maintain his job.

On one level, this story expresses the casual contempt that Daisy and Jordan harbor for the working class; the butler’s very sad story is presented as an amusing anecdote.

On another level, it seems to express an anxiety about “losing one’s position” — the butler is degraded from a skilled artisan to a personal servant, forced to cater to the minute desires of the leisure class. This is the great horror of most of the characters in the novel. Gatsby is terrified that he will be “found out” as a striver and a parvenu. Daisy is afraid of losing her exalted class status by leaving the brutal Tom for the arriviste Gatsby, which ultimately influences her decision to reject the latter for the former. And Tom is secure in his class position, but develops an anxiety about losing his position as a white man, a member of the dominant race, which is why he is so obsessed with faddish theories of racial degeneration.

Finally, there is an unspoken punchline to the butler story that Daisy seems to miss: if their butler would prefer to work day and night polishing silver under extremely dangerous conditions, rather than become a butler for people like her and Tom, that says a great deal about how degrading and unpleasant it must have been to work for the bourgeoisie of the Jazz Age.

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Quite a preface to instructing Verloc to organize a bombing campaign targeting scientific institutions, in order to get England to jettison its free political institutions and embrace the despotic raison d'état of the continent.

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It is important to Vladimir that the “revolutionary” act can be described as pure madness and irrationality, with no underlying social motivation — this will turn the terrorists from political actors with demands that might possibly be accommodated, to irrational beasts who need to be put down. Only repression works on the truly mad.

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Anarchist assassinations were a scourge of governments, both royal and democratic, in the late nineteenth and early twentieth centuries.

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We have seen Vladimir so far totally in control of himself, self-assured, and masterful. He has, in particular, flaunted his quick wit, mastery of languages, and complex intelligence. So it is striking to suddenly find out that, when it comes to the working class radicals that he loathes so much, he has no fucking idea what he’s talking about.

He lectures at Verloc about the “true” nature of such groups, getting almost everything wrong. Verloc, who lacks Vladimir’s education and wit, at least has a strong grasp on the world in which he has been embedded “undercover” for the past eleven years.

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