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Ominous…

The vocals scratched in here are from “Human Beat Box” by the Fat Boys.

Brrr! Stick ‘em! Ha ha ha stick 'em!

A famous line referenced in many songs.

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More beef. Someone started a fight right outside the Roxie Theater, another SF landmark.

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This song is set in San Francisco. The Grubstake is a famous diner there. The song opens with someone talking trash to Aes and Rob outside the joint. Bad idea.

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Lead single from the Who Feels It Knows album, produced by Primo with Cee-Lo on the hook.

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A reference to the famous 1981 rap battle between Busy Bee and Kool Moe Dee at New York’s Harlem World nightclub.

After Busy Bee rocked the crowd with call-and-response routines and his trusty “ba with the ba the dang the dang diggy diggy” shtick, Moe Dee took to the stage and delivered a scathing lyrical beatdown, starting with:

Hold on, Busy Bee, I don’t mean to be bold
But put that ba diddy ba bullshit on hold
We gonna get right down to the nitty grit
Gonna tell you little something why you ain’t shit

Kool Moe Dee’s five minute crushing of Busy Bee elevated the art of emcee battling and went down in history as a triumph of lyricism over party rhymes.

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BMI and ASCAP are the two largest performance rights organisations in the US, responsible for paying artists royalties from radio play and live performance of their work.

Here Pos alludes to De La’s reputation as prolific samplers – especially on their first album. This landed them in the middle of one of Hip Hop’s first major copyright infringement cases when they were sued by The Turtles over an unauthorised sample.

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These lines lamenting the rise of greed/materialism and the vanishing role of the DJ in Hip Hop are patterned on Debbie Harry’s rap from Blondie’s 1981 hit “Rapture”.

Fab Five Freddy told me everybody’s fly
DJ’s spinning I said “My my”
Flash is fast, Flash is cool

http://www.youtube.com/watch?v=SIRG0QOEkyM

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Gomar Oz Dubar is a phrase meaning God, derived from the Hebrew words for strength, wisdom and beauty. Although it is thought to have originated in Brooklyn’s Nuwaubian Nation, it occasionally pops up in the lyrics of certain Five Percenter MC’s (see Just Ice and Rakim).

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La ilaha illallah is part of the Shahada, the Muslim declaration of belief. Roughly translated it means there is no God but Allah.

The word illallah only appears once in the actual Shahada but Trag says it twice so that it almost sounds like L Allah L Allah. As Allah represents the letter A in the Supreme Alphabet, this translates to LA LA – a subtle reference to the song’s title and target? Another possibility: the words “Ill Allah” form a parallel to Tragedy’s other dualistic identities, Intelligent Hoodlum and Foul Mahdi.

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A lyrical nod to the Cutty Ranks dancehall classic “A Who Seh Mi Dun.” Hence the slight Jamaican accent that Biggie puts on here.

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