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A cut from Kane’s debut single. Uses the same beat as the more well-known “Just Rhymin' With Biz” which was also on this 12" (and later on Kane’s first album).

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LP shouts out Queens legend DJ Grandmaster Vic from Southside Jamaica. Along with Harlem’s Ron G, Vic is credited with popularising blend tapes, entire mixtapes of soul/pop acapellas over Hip Hop beats.

Not to be confused with V.I.C. who was down with The Beatnuts (and is also from Queens).

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205th Street in the Bronx is the last stop on the D Train, a subway line running from the Bronx to Coney Island in Brooklyn. It’s also mentioned in “Boogie Down Bronx” by Man Parrish.

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KRS One’s voice, sampled from BDP’s “My Philosophy”.

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Just as they did with “Good Old Music” on their previous album, Funkadelic revamp one of their earlier songs here, “What You Been Growing” , by The Parliaments.

Frequently sampled (see “Rill Rill” by Sleigh Bells), and with its (proper) psychedelic-funk vibe—"Can You Get to That" is one of Funkadelic’s most notorious songs.

While it might sound like a ballad on money, even the ‘broke blues,’ with that twangy guitar in the background, the song itself seems more a gag on love: taking advantage of somebody to the fullest, the way you would a credit card, and being confronted on that issue. The soulful wails can either be a cry of glory for the end of a bad relationship, or bouts of warning.

“Can you get to that?” can be a) a reprimand, possibly asking if they’d want the same done to them, or b) a straightforward question to others that have dealt with the problem—a hymn on the glorification of a sour relationship’s parting.

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This is the opening line from Masta Ace’s “Born To Roll” (a remix of Ace’s earlier song “Jeep Ass Niguh”). It serves as a shout out to a fellow Brooklynite and an introduction to the knowledge that Kweli’s about to kick.

The drums and the “check it out baby, check it out y'all” hook are also callbacks to “Born To Roll”.

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Dante may be getting his Kool & The Gang breaks mixed up here. The drums in “Dope On Plastic” and “Don’t Sweat The Technique” are from “Give It Up” rather than “Chocolate Buttermilk” (both songs appear on the same album). Dante wasn’t the first to use those drums either. His buddy Grand Puba flipped them a year earlier for Masters Of Ceremony’s “Keep On Moving”.

Eric B & Rakim did use the “Chocolate Buttermilk” drums for “No Omega” (see J-Zone’s 10 Favorite Sample Flips). You might also recognise the horns from another record that Dante was involved with, Pete Rock & CL Smooth’s “Straighten It Out”.

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This is CJ Moore who is actually listed as co-producer on the back of the record (someone called Dan “The Man” Miller gets engineer credit). Moore also worked with another forgotten Tommy Boy act of the time, Black By Demand.

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The “Can you dig it” vocal sample in the chorus of “Dope on Plastic” is from Parliament’s “Chocolate City”.

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Probably The Best Of Kool And The Gang, a 1971 compilation which features both “Give It Up” and “Funky Man”, the two main samples used in “Dope On Plastic”.

Digger Tip: This is the easiest way to get hold of “Give It Up” which, unlike the other songs on here, was never released on a 45. The only other place to find it is on Kool’s much rarer debut album.

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