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Shopping spree’s on Jay’s watch evolved even further after this lyric. He references the BMW 325IS,#325iS_South_Africa_version) a rare version of the car that was only sold in select markets that didn’t receive the M3. This is denoted by the “three deuce fever”, which turns the “three” into the end of one line, and simultaneously the beginning of the next.

The fully loaded can mean three things:

  • His guns are fully loaded, now that he’s got a nice car and a loaded weapon no one will mess with him.

  • His car is fully loaded with drugs that he has to deliver around to pay for the car he just bought.

  • His car is also fully loaded of every customization option available; leather seats, power seats, sun roof, premium audio etc.

Also, notice the wordplay with “IS” and “ah, yes”.

This was recorded 2 years before the Lexus IS would be released. Despite it’s reference in the very next line, it’s unlikely Jay took an order of the car fully 2 years before it’s release date.

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“Big Willie” is ‘90s street slang for a drug dealer who earns a lot of money hustling and lives lavishly. Jay would distance himself from the term later on the album, during “Can I Live.”

Posting bail was a constant theme in Hov’s early music, and something he must have thought about regularly. He would later mention it in “Imaginary Player” in 1997, and “Guilty Until Proven Innocent” in 1999. Having enough money for bail was on his mind due to the drug-dealing life he had chosen to live. On “Big Pimpin'” he states:

I got so many grams if the man find out
It will land me in jail for life

Jay’s true-story of an encounter with the police on “99 Problems” only serves to hammer the point home.

He uses the word “stake” as a homophone for “steak” – a main ingredient in a popular type of sandwich from Philadelphia known as a “Philly steak.” Philadelphia is the birthplace of actor and rapper Will Smith, who was also known as “Big Willie.”
https://www.youtube.com/watch?v=HUXXerWaF0M

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This is a biblical reference to Psalm 23:5:

Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

When taken in this context, the line shows that Jay is blessed in abundance, especially with money in this case, particularly $100 bills.

The same biblical reference was later used on Jay Z’s song Holy Grail.

Calix meus inebrians; Latin to English translation: my cup runneth over (likely wine), literal translation, “My cup [is] making me drunk.”

Here, in accordance with the monetary/ asset based schema of the verse, Jay-Z may very well be insinuating that he is drunk off of his money, in this case hundreds.

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Gun or sex toy? You be the judge!

In either case – now that KB Toy Store is liquidating, you can’t find any toys at KB (not even non-gun, non-sex ones)

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For an album called Real Talk, the lead single sure has a lot of multiple entendres. “Face it” appears to mean “deal with it”… until you realize he means “give me head”

LASTLY, facing a joint or blunt is when you smoke the whole thing. So, he could be saying inhale until you run out of oxygen and turn blue.

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Much like the double meaning of “make it hot” in NTM’s “La fièvre”, Fab is playing on conflicting causes of suffocation: on one hand, his wealth is so impressive that onlookers can hardly catch their breath; on the other, police surveillance is so oppressive that hustlers like Fab himself can barely express themselves

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New Orleans, a spiritual voodoo city, is famous for its cemeteries (and also for building on top of them). The St. Peter Street Cemetery, a historical site that was closed down for good and redeveloped, might be what Jay is thinking of.

More recently, thousands of people died during Hurricane Katrina and now they are blithely building over the wreckage, while making no plans to resettle the displaced.

The second line can also be a reference to the “jazz funerals” or parade marches that include brass bands that the whole community can participate in. Given the high murder-rates in NOLA, this is something that one could easily become desensitized to and it becomes just another part of the routine; “Oh, someone else died? Well, let’s light one and watch the parade…”

To go deeper, there is also a reference here to America’s colonial history – the slaughter of Indians and the casual sacrifice of the lives of black slaves to build up the economy of the South.

And Jay intends present-day ramifications as well – the juxtaposition of black violence (the Magnolia projects) and black entertainment (the famous musical performances – including New Orleans funerals – that draw hundreds of thousands of tourists each year) that characterizes modern New Orleans, and a larger metaphor about the use of “bread and circuses” to distract the black underclass from its predicament.

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On one level, Jay speaks about gang violence and how black men will kill other black men in order to get what they want: their closet of skulls is hidden by the nice shit that they wear. By the same token, rappers will glorify violence in order to flaunt their cars and jewelry

On another level, Jay is pointing out that whips and chains haven’t always referred to cars and jewelry: when black men were slaves, they were beaten and bound, and the skeletons in America’s closet were their own

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This is craftier than it looks (and sounds, what with the way he says “Kurt Cobain” – the way he says it makes the sound of cocking and shooting a gun.)

Jay is comparing himself not only to white-collar gangsters (see previous couplet) and up-and-up politicians, but also to dead, white, cranky martyrs and visionaries (Kurt Vonnegut was an influential writer in the 20th Century – Kurt Cobain, lead singer of 1990s band Nirvana, committed suicide with a shotgun blast to the head)

“That Nirvana shit” also counts as this song’s shoutout to Eastern theology. Dude covers his bases!

Also, the “Kurt” and “Blow” refer to Kurtis Blow, the hip hop veteran and the first rapper to sign with a major record label.

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Coretta Scott King (April 27, 1927 – January 30, 2006), the wife of Dr. King, and a civil rights activist in her own right, was never caught looking shabby, kinda like Jay-E’s rhymes. And she’s consistently said to have “carried herself with a regal poise and elegance.”

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