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Brandon Bell (pictured) was a high-school classmate of efemjay’s with a penchant for petty criminality. efemjay says his rhymes are “criminal,” which may be alluding to the fact that hip-hop itself was initially illegal (see KRS-ONE on the subject); or perhaps they are seen as criminal by the state for their revolutionary content.

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The hook to “Dewey Knitwell” invokes an old-school hip-hop aesthetic; “yes, yes, y'all,” etc., being a familiar refrain. efemjay was probably most influenced by KRS-ONE’s 1997 song “Step Into A World,” itself paying homage to the old school, which features the following hook:

Yes, yes, y'all; you don’t stop
KRS-ONE! Rock on!

The final line of efemjay’s hook plays on the similarity between the phrase “doing it well,” and, when said fast, the created name “Dewey Knitwell.”

“Doing it, and doing it, and doing it well” was appropriated from the 1995 LL Cool J song, “Doin' It.”

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This is the party jam on Full Blown AIDS, complete with southern rock-type influence. This was the second song written and recorded, originally on a four-track cassette recorder in 2007, with the beat composed entirely on a Boss DR-550 drum machine (which originally belonged to efemjay rival Dana Burd). When the song was re-recorded in 2009 for Full Blown AIDS, sample-library guitars and bass were added to the original drum composition, itself re-composed in FL Studio 7 for better mixing. This is the only song on Full Blown AIDS that contains no unauthorized samples.

The lyrical content of the song is boastful and battle-oriented. There are numerous references to efemjay’s high-school classmates and, this was one of two songs he performed at his ten-year high-school reunion in 2007 (the other being “Rock the Mic”).

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This track is a continuation of the previous song from Full Blown AIDS, “My Homie’s Gay.” In that song, efemjay details his struggles with coming to terms with his friend being gay – this is a true story, but the name used (“Booger D”) is an old nickname of The Chancellor, and The Chancellor is not gay. “My Homie’s Gay” ends with an irate voice-mail message from The Chancellor to efemjay, and this track immediately begins with efemjay explaining himself to The Chancellor. From there, the two “reunite” and record this song, which is mostly about remaining true to true-school hip-hop ethics.

The beat was produced by The Chancellor in FL Studio 7. efemjay mixed and rearranged the track in Pro Tools. Vocal samples from Wu-Tang Clan, Genius/Gza, and Inspectah Deck are used on the hook, in combination with a vocal sample from an old FMJ song, and another one from “My Homie’s Gay.” One of the horns used is from James Brown’s “Get Up Offa That Thing,” also sampled in Boogie Down Production’s “South Bronx.”

The title “Risque Rhymin' II” implies that this is a sequel to another track efemjay (then FMJ) and The Chancellor (then Booger D) recorded together in 1995, which was titled “Risque Rhymin.‘”

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The Chancellor says he and efemjay are going to “come back with more hits” – they are going to be making more good rap songs. This line echos the sentiment of Smooth B of the group Nice & Smooth, from their classic song with Gang Starr “DWYCK” – “I told you before, we come back with more hits.”

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Although this song is drawing to an end, The Chancellor warns would-be opponents that this is “just a sample” of what he and efemjay have in store – “next level shit,” meaning rap music that stretches boundaries and is very good.

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The “Rollin Tribe” was the name of efemjay and The Chancellor’s high-school posse; named after the miniature village of Rollin, MI, which was reinvented as a pseudo-Compton among efemjay and his friends.

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The Chancellor’s unnamed opponent is accused of being “wack” (not good), and unable to “even hold a candle” to the rapping skills of efemjay and The Chancellor.

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The Chancellor and efemjay are both from the rural outskirts of the tiny village of Addison, MI. “The sticks” – a half-hour outside of the city of Jackson, MI, famous for its state prison; the first state prison in Michigan.

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It’s simple and obvious (“elementary”) that The Chancellor and efemjay are at the very top of the hip-hop industry (“we be the epitome”). As a result, their rapping exploits will be recorded by historians. There is no mystery as to why this is the case – it is “actual fact;” simple and obvious; “elementary.”

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