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Everyone else in God’s kingdom manages to live in places proportionate to their own size, so why can’t we?

Since this is a poem, we might remember that proportion is an important aesthetic as well as ethical consideration

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Unreviewed Annotation 1 Contributor ?

What is this?

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Why do we have such big houses that we don’t need???

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Unreviewed Annotation 1 Contributor ?

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This poem is like a house, because both have stanzas, and because both wouldn’t exist if people didn’t use their brains to come up with them

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This is a country house poem, and here Marvell plays with the idea that it’s as much a house as a poem, with all the stanzas (from the Italian for “room”) as…rooms.

Situating the whole poem within a “sober frame” also alludes to the virtuous moderation of Lord Fairfax, whom Marvell credits with leading a vita sobria.

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A regular clock would probably work fine to “reckon,” or keep an account of, the hours, but I guess one made of flowers is prettier

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In the Renaissance, bees were considered paragons of productive labor and collective living

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The phoenix ‘riddle’ or mystery is even more mysterious (or hath more wit') when they are together.

The phoenix was a mythical creature that lived in the desert, the only one of its kind. It would burn to death and then rise again, a young bird, out of its own ashes,

JK Rowling in the Harry Potter series gives Professor Dumbledore a phoenix as his familiar' or animal guide.

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The New World was often described as “virgin territory,” ripe and ready to be defiled by white European men

This is open to interpretation. It is a compliment to her, an indication of her special nature; exotic, newly discovered. The exclamatory‘O’ suggests wonder and adoration.

But also Donne sees it as his right to have his way with his lover, describing her as unclaimed land that he has liberty to appropriate. In modern terms he might be described critically as a coloniser.

When read aloud this part of the poem. The hyperbole may be just exaggeration; a matter of seduction. And yet, there is a sense of adoration as well, suggesting he loves this woman.

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The marriage bed/temple in To His Mistress Going to Bed sounds way more comfy.

In the Solemnization of Marriage in the “Book of Common Prayer”, the “two shall be one flesh”. The couple are joined in the flea, thus, the flea is at once a metaphor for their bodies' union in marriage, the mixture of blood in the marriage’s consummation, and also a physical space in which all this is contained.

“temple” is another example of religious language that the speaker uses to support the reliability of his argument.

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And here is the canonization. The grandest of people throughout the land will long for ‘a pattern’, a replication, what we might call a role model, of the love the poet and his lover enjoy.

Just a touch of hyperbole, but nonetheless satisfying and enjoyable in its intellectual brilliance.

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