Disloyal on the part of Man, revolt
And disobedience: on the part of Heaven
Now alienated, distance and distaste John Milton – Paradise Lost, Book 9
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I used to do stick-ups, 'cause hoes is irritating like the hiccups The Notorious B.I.G. (Ft. Method Man) – The What
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The camera is usually associated with the male gaze, with the purpose of objectifying the female body (see Mulvey, Laura, “Visual Pleasure and Narrative Cinema,” 1973)
Here, Lil Kim is still objectifying a female body (her own), but she not only recasts the gaze as feminine (her and her “girls”) but also challenges the authority of the male gaze: “he can’t see” the camera.
Kim turns the familiar trope of the man recording his tipsy conquest without her consent or knowledge on its head as she describes surreptitiously recording a guy giving her oral sex so she can share the video with her friends later and brag about it.