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Dostoevsky’s work with inner monologue, particularly with Raskilnikov, was innovative for his time and provides an intensely personal relationship between character-reader. Plus, we get to see how cray-cray Raskilnikov really is.

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Dostoevsky’s characters often deal with feelings of isolation and anxiety–one reason his works became a major influence on twentieth-century writing.

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The gas lamps represent modern times and artificial light – the exact opposite of what one gets from the sky. Dostoevsky often juxtaposes modernity with nature to illustrate his own anxiety with the times.

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Perhaps a play off of Socrates’s idea that true wisdom comes in realizing how little you know (or, in this case, in realizing how crazy you are).

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Similar opening to Fyodor Dostoevsky’s Notes from Underground in which the narrator begins the story by naming himself as “the other,” immediately questioning his own authorial reliability. He also confirms his personal opinion by sharing how others see him (as a madman).

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What might these symbolize?

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Unreviewed Annotation 1 Contributor ?

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Nick’s description of Tom’s mistress could certainly be more positive – she is described in a somewhat plain and not very attractive manner.

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