What is this?

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Now he simply lays down and longs for heaven or utopia, which he dubs Innisfree – the name Innisfree being taken from a Yeats poem where the poet is longing for an ocean village where all problems are gone.

In the poem Yeats lives on the Walden-esque island with his lil cabin, rows of beans, etc. with the ocean lapping on the shore.

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She’s standing in the doorway with letters – possibly love letters he wrote to someone else, that she has discovered that he’s been cheating, or letters he had written to her, that she is taking with her when she leaves.

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He realises that he’ll be happy whatever he does, every day that goes by will be complete and fulfilling and that he can go on without this girl.

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In a cynical mood, he gazes into all the money that kids have put into the fountain in order to get a wish, he sees that the wishes were only temporary, much like the relationship that he’s recovering from.
He wonders what became of the wishes and what happened to his relationship.

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Robin is unsure of his role in the world and so wants to be a cog in the great machinery, simply to have any purpose at all, although they are run by the “armies of night”. As a contrast to his wonder and the idea of finding oneself in a world he finds so inconceivable, the person he speaks to will “run a store” and adapt to it just fine.

This is a cross-reference to these lines in “The Shrine/An Argument”. He is mentioning the same girl, and how she would fit perfectly into his romantic wish of having an orchard.

During Fleet Foxes' tour in support of their 2017 album Crack-Up, the first line was sometimes changed to “No time for the orchard, who knows what’s in store/with all that’s in store.”

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As the narrator turns around, Michael falls into the snow.

The phrasing “would fall” rather than “fell” casts this event in a dreamlike state rather than as a straightforward narrative of something that actually occurred.

In a Reddit AMA, a fan asked writer Robin Pecknold:

What does the line […] mean? if it’s not a too personal question.

To which Robin replied:

I just liked the imagery and how it contrasted with the sweetness of the vocal, but I guess it was about people losing track of each other

The amount of blood required to turn a patch of snow red “as strawberries” – a creeping plant that has a very wide spread – suggests that Michael has in fact been killed.

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To get this line in the context of the song (and the album), this is Kendrick freestyling like he’s 16.

A statement concerning the misconceptions rappers/guys have about what it is to be a man: the size of your dick (ego, self-importance). In this immature time in his life he’s PRAYING for a huge dick. He sincerely wants to be a man, but all he really knows about man-hood is having a big dick.

Metaphorically, Kendrick praying for a huge dick, is him praying for that respect and thus endurance, to last. If the size of your dick garners respect (in this case in the industry), then a dick that lasts 72 hours is to an artist that is respected for decades.

Moreover, Kendrick refers to “72 hours” in HiiPower. Kendrick could also be referring to the 72 names engraved on the Eiffel Tower.

Interesting fact:

the Eiffel Tower is 324.00 m (1,063 ft) tall, and the Earth is 7,926.41 miles (12,756.32 kilometers) in diameter, so his dick would be 0.000025% of the ‘length’ of the world.

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This is a tricky one, there have been several interpretations of this song. Let’s talk through several possibilities.

The first is that this is a little frame of a childhood memory maybe of a five or six year old. He is with a bunch of children in the woods or a field in winter, maybe running after the older kids, who just look like a bunch of coats since they are so bundled up.

The second is that he is a member of a gang, following the pack, swallowed in their hooded jackets and coats. Robin Pecknold told Mojo magazine January 2009 that he intended this gently uplifting song to be like Whistle While You Work from Snow White – something to hum along to as you do the dishes.

Pecknold added that the words tell a more painful story about loss of innocence.
He explained:

From first grade to high school I spent every day with the same bunch of kids. And it was weird to see how people I had known so long would change so quickly – suddenly they’re drug dealers. I hated it. How did our friendships become less important than wearing a backwards baseball cap?"

In another interview, he says something similar:

A lot of the record is … about my experience when I was a kid. I had my really tight group of friends. But as we grew up from grade school to junior high to high school, everybody just kind of split off, and everybody kind of changed. I went from like this tight-knit group to, seemingly for no reason, everybody was kind of going their own way. That song is just about that feeling.

For me, I ended up growing more isolated as childhood went on or whatever. My siblings were enough older than me that by the time I was in proper school, they were off at college. I didn’t see them as much as I used to, and then my friends all got into different things. It kind of became something to deal with, but it takes time.

A potential third explanation is the ‘pack’ being a pack of wolves and the people following are ‘swaddled in their coats’.

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James Blake Litherland (born 26 September 1988), professionally known as James Blake, is an electronic singer-songwriter, musician and record producer from London.

Blake is primarily considered a dubstep producer and is frequently heralded as a leading figure in the post-dubstep community, but he is also noted for his prominent soul influences.

As of December 2020, Blake has released four studio albums and eight EPs.

After receiving recognition for a string of EP’s in 2010 (The Bells Sketch, CMYK, and Klavierwerke), Blake released his debut self-titled LP James Blake via his record label ATLAS on February 4, 2011, which was met with universal critical acclaim. On October 10, 2011 Blake released a deluxe edition of the album which contained his Enough Thunder EP, before releasing Love What Happened Here EP to round out a breakthrough year.

Blake received further critical acclaim when he dropped his second LP Overgrown on April 5, 2013. His sixth EP 200 Press was released in December 2014.

His third album The Colour in Anything saw release on May 6, 2016 with his fourth Assume Form following on January 18, 2019. The latter became Blake’s highest charting album to date, peaking at 21 on the US Billboard 200. Both albums were released by Polydor Records Ltd.

In 2020 Blake released the Before EP and a Covers EP.

He has been know to go by the moniker Harmonimix when producing and orchestrating remixes, such as this track with rapper Trim.

Blake is the son of singer/guitarist James Litherland, founding member of the prog-rock band Colosseum and solo artist in his own right.

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In the first lines of the “rock” section of the song, the speaker strikes a defiant tone, shedding the pleading and self-pity of the song’s earlier movements.

Stoning is a form of capital punishment in which members of a community throw stones at an offender until they are killed. It is usually associated with the punishment of sinners in Abrahamic religious societies, and makes frequent appearances in the Old Testament. While the Bible commands stoning for a variety of sins ranging from idolatry to cursing God to wizardry to touching Mount Sinai while God was giving Moses the Ten Commandments, it is never mentioned in conjunction with homosexuality.

While stoning is never mentioned in the Quran, some hadiths, or words of the Prophet Muhammad, prescribed it as punishment for “sexual deviance”, and it has been revived in several Islamic countries. Freddie Mercury may have been aware of this while growing up in predominantly Muslim Zanzibar.

Jesus' instruction in John 7:53–8:11 to “let he who is without sin throw the first stone” at a woman caught in the act of adultery is often interpreted as a condemnation of the practice.

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