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An instance of free indirect discourse, in which third-person narration “bends” to take on the essence of a first-person statement. The judgment that Mrs. Hopewell lacks bad qualities pretty clearly reflects her own opinion, not that of the narrator and certainly not that of her daughter.

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The names of all the principal characters in this story are allegorical, and usually contain an ironic twist. They evoke not only the themes of freedom, hope, joy, etc. but also their opposites. In this instance the irony is particularly sharp: the first we hear of Mrs. Hopewell, she’s given up on something.

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More commonly spelled “sea shanties,” these are traditional work songs sung by sailors. A famous one in English is “What Shall We Do with a Drunken Sailor”:

https://www.youtube.com/watch?v=xsLL2bmLgfg

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Eterne: an archaic adjective meaning “eternal.” In other words, “Before me there were no created things, only eternal ones.”

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Wikiquote notes:

Attributed to Parker after her death, by Robert E. Drennan The Algonquin Wits (1968), p. 124. However the same quip appears anonymously fifteen years earlier, in the trade journal Sales Management (Chicago: Dartnell Corp., 1918-75), vol. 70 (Survey of Buying Power, 1953), p. 80: “Marxism never changes. You can’t teach an old dogma new tricks.”

To be fair, it’s unlikely that Parker, or anyone else on earth, ever read this publication.

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According to biographer John Keats (!), Parker would wonder aloud, “What fresh hell can this be?” when her doorbell rang. The line is usually altered to “What fresh hell is this?” and has become famous as a theatrical way of saying, “Ugh, what now?”

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It’s well known that having an umlaut in your name greatly increases your Nobel chances (see e.g. Tomas Tranströmer, Herta Müller, Günter Grass). Finnish author Sillanpää practically sealed the deal with his rare double-umlaut assault.

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The centerpiece of Walcott’s long career is his modern-day epic Omeros (1990), an adaptation and reimagining of Homer’s epics set in and around the poet’s native Saint Lucia.

(The cover art was painted by–Derek Walcott!)

Post-Nobel interview:

https://www.youtube.com/watch?v=Z67iA4QCF14

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The most famous passage of the poem, often quoted as an epitome of Carroll’s “nonsense.” The Walrus’s proposed topics of conversation range from the traditionally important (kings) to the trivial (sealing-wax) to the completely ludicrous (the sea, last time we checked, is not boiling hot).

Cabbages and Kings (1904) is the title of a novel (or linked series of stories) by O. Henry. Fun fact: it’s the original source of the phrase “banana republic.”

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As in the Roman queen of the gods–daughter of Saturn, wife of Jupiter.

Not:

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