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habit: clothing.

This is the Ghost’s final exit: though two more acts remain in the play, he never reappears. Even the memory of him seems to fade: there is only one reference to King Hamlet in Act 5, and that is Hamlet’s indirect mention of “my father’s signet.”

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amazement: shock.

conceit: imagination.

King Hamlet appears to share his son’s belief in the natural frailty of women–or at least of Gertrude specifically. He urges Hamlet to rouse Gertrude from her state of shock.

The references to her “fighting soul” and “conceit” working strongly in her are ambiguous. Does the Ghost believe that Gertrude is overwhelmed by the sight of him, yet also in denial about it?

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Hamlet begs his father not to look at him so sorrowfully that he converts stern or courageous “blood” into ineffectual “tears.”

The word “action” has ironic resonance here: the mere act of his father looking at him would overwhelm the “action” Hamlet is supposed to perform.

want: lack.

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As noted above, a stage audience may or may not be directly shown the contrast between the two men. Some (but not all) filmed versions of Hamlet take advantage of the camera to demonstrate the difference in close-up.

https://youtu.be/VvsTcOvr-wk?t=31s

https://youtu.be/VhW7bOoTxxQ?t=2m55s

https://youtu.be/mOjpvNPr3JU?t=3m23s

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Hamlet praises his father as a paragon of manhood. But probe the language deeper and it may reveal doubts–“seem” (recalling Hamlet’s own distinction between seeming and being?), “assurance of a man” (why would the world need assurance of his manly qualities)?

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What does Your Grace want?


As evidenced by his next line, Hamlet knows exactly what the Ghost wants.

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We’ve witnessed the depths of his distress in the “O, my offence is rank” speech in 3.3.

In Kenneth Branagh’s Hamlet (1996), Derek Jacobi plays this line as a moment of desperate tenderness:
https://youtu.be/mCsSSWyG1jI?t=2m36s

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Now that Hamlet has tipped his hand with the “play within a play” in 3.2, Claudius suspects his nephew is on to him and is eager to keep tabs on him. He correctly intuits that Hamlet is the cause of Gertrude’s distress.

What…tonight!: The things I’ve seen tonight!

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Claudius is still determined to keep tabs on Hamlet. Gertrude informs him that Hamlet is disposing of Polonius’s corpse. (Draw apart = remove; nothing to do with drawing and quartering!)

Eugène Delacroix (1835): Hamlet, III, 4 – Hamlet and the slain Polonius’s body.

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[The killing of Polonius] will be blamed on us, who should have had the foresight to restrain and isolate this mad young man.

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