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To name the “fucking gimmicks and lies” highlighted in this song:
* Jonny Craig’s pyramid schemes
* Ronnie Radke supposedly having love for his fans, but assaulting them with a mic stand
* Christopher Drew, who also supposedly loves his fans, verbally tearing down an interviewer and genuine fan while exuding a sense of pompous superiority
* Christian metalcore band For Today supposedly representing Christ’s love, but failing to extend this love to homosexual people

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Unreviewed Annotation 1 Contributor ?

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Fronz is more than willing to give Christopher Drew the “Oli Sykes treatment.”

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Unreviewed Annotation 1 Contributor ?

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Fronz screams, growls and raps, so he multitasks, and he is decidedly badass. Christopher Drew also multitasks, being a multi-instrumentalist, but he falls a little short of badass. To a macho man like Fronz, Christopher Drew’s effeminate ways are a disgrace. (“Multitasking badass” could also mean that he balances being badass and being sympathetic toward his fans, unlike Christopher Drew, who does neither.)

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Unreviewed Annotation 1 Contributor ?

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Possible reference to Papoose’s response which opens with “Tell Kendrick and TDE they need to lay off the PCP” (PCP = angel dust)

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A reference to the line “Eat the cake, Anna Mae” (and scene accompanying it) from the film What’s Love Got to Do With It, which is loosely based on the life of Tina Turner (real name Anna Mae Bullock). Similar references to the line/scene have turned up in “Wonton Soup” by Lil B and “Drunk in Love” by Beyoncé.

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This particular line has been scrutinized as being ironic or hypocritical; Fronz is calling Mike Reynolds of For Today a faggot for tweeting a homophobic rant. He could either be using the word “faggot” in a non-literal way a la Tyler, the Creator and Eminem, or insinuating that, like Ted Haggard before him, Mike Reynolds was simply using homophobia as a ruse to conceal his closet homosexuality.

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Literal interpretation: As Lil Wayne attests, every real nigga’s main girl is down for anal.

Symbolic interpretation: This line suggests a Binitarian view of Lil B’s relation to Based God (or perhaps Trinitarian if Brandon McCartney is to be considered distinct from either or both). As demonstrated in “Based God Fucked My Bitches” and “I’m Fabio”, Lil B is distinct from Based God (as Jesus Christ is distinct from God the Father) and the former is capable of communication with the latter (paralleling Christ’s prayers issued forth to the Father in the Gospels).

Further, it is overtly implied in “Pretty Bitch” and “Mel Gibson” that Lil B is subordinate to Based God and/or Brandon (“Lil B my main hoe”), as the Son and Holy Spirit are subordinate to the Father. Thus, “my main bitch” perhaps refers to Lil B, while “and I fuck her in the ass, too” is symbolic of Lil B’s subordination within the Based Godhead.

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Based God’s prowess in copulating with your sister negates the idea that he could possibly be homosexual (not to be confused with gay [happy]), despite bearing a striking resemblance to a princess.

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Like Calvinist grace, Lil B and his handsomeness are irresistible to your main bitch, unconditonally electing her to suck his dick.

For there is no bitch so great or mighty that she can avoid the misery that will rise up against her when she resists and strives against Based God. - John Calvin

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