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On May 3th, to honor one year since Adam Yauch’s passing, the New York City Parks Department renamed Palmetto Park to Adam Yauch Park. Prior to his career in the Beastie Boys, Yauch frequented the park as a child growing up in Brooklyn.

Ad-Rock and MCA’s Parents at the naming ceremony

Transcript via RollingStone.com

UPDATE: The last of the Mike D Watches have been re-released, and ALL proceeds will fund projects at Adam Yauch Park in Brooklyn Heights.

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A common theme on the Lonesome Crowded West is being all talk and no substance. However, up until this point vocalist Isaac Brock only accused others of such acts. In this verse, he admits that he himself is guilty of boozing up and talking about big ideas, but not acting on them.

Kittens breed in litters, so clearly Brock was giving a way a ton of opinions.

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While these lines may suggest Cowboy Dan is all talk, their position in the song merits a different approach.

The opening chorus and verses show Cowboy Dan as an angry man losing control of his own world and desperately reaching out for control (i.e. “He’s gonna start a war” and “I got mine but I want more”). The line “I didn’t move to the city, the city moved to me” is speaking of how Cowboy Dan’s world is being encroached upon by city life – he hates it and blames the world for it.

The bridge gives a more reflective view of Cowboy Dan. He’s just standing in the tall grass, mindlessly admiring the countryside.

Finally, we get a more existential view into Cowboy Dan. He realizes that no matter what he does to try and stop the city from encroaching on his “lonesome crowded west,” he can’t prevent the city from moving in. “Everytime you think you’re looking you’re just looking down” is a heartbreaking line about the depressive reality that he’s coming to understand.

The land he loves is slowly being gobbled up by cities and civilization, and there’s nothing he can do about it but blame god and society and drink himself into oblivion. This ties into a greater theme of urbanization, apparent in songs like Convenient Parking.

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Lonesome Crowded West was written in a period of time during which Modest Mouse was constantly on the road, touring in support of their previous releases. Brock, being a handyman, would frequently have to fix their broken-down van. This of course led to numerous car-related metaphors throughout the record, such as this one.

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Cowboy Dan is the type of man who is angry at the world, and feels as though he deserves much more than what he has. This sort of reckless abandon is the type of attitude that could start a war, according to Brock.

Like this, but with a cowboy hat

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Isaac Brock stated in the Modest Mouse Pitchfork documentary that the character of Cowboy Dan takes inspiration from one of his dad’s friends, whom they called (you guessed it) Cowboy Dan. However, Brock went on to say that this guy had nothing in common with the character of Cowboy Dan other than their name.

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Cockroaches are small, tiny, insignificant, disgusting creatures. Here, Brock is saying that each member of the work force is just a tiny, dispensable cog in the clock that is American corporatism. To “do the cockroach” means to “survive”, comparing our lives to a dance.

It is both fatalistic & wryly joyful at the same time. “Doin' the Cockroach” uses the dance metaphor in contrast to the pop culture usage such as “Do the Locomotion…” to give the fatalistic observations in the first verse an ironic twist that subverts total fatalism.

“Doin' the Cockroach” for Brock is to “Do the dance of life”.

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Gross, but Brock is making a statement about Americans metaphorically eating their shit, that is, believing their own garbage without abandon.

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He now juxtaposes the images of well-dressed business men with a dumpster diver, and uses the clever garbage wordplay to throw a new, literal spin on the phrase “junk food”

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A woman is with a guy who she believes is of a higher quality than he actually is – this is suggested by her thinking he is a cinematographer as opposed to a pornographer. They had sex (the dance and grind) and they both were feeling happy and pleased about it. It’s pretty easy to see that it’s not really a literal statement. It’s more a metaphor about how people get fooled by others. This is a recurring theme on the album, which is also made apparent on ‘'Teeth Like God’s Shoeshine’'.

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