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The opening track off of Kind of Like Spitting’s swan-song, “In The Red”.

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The somber opening track to Ben Barnett’s first album under the name Kind of Like Spitting, “The Short Story Long” tells the tale of despair in at 3 minutes and 14 seconds

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The narrator here suggests that in the past he has been a flakey and inconsiderate individual, caring only for himself. With the passage of time, he learns that the benefits of helping others can exceed the benefits of being selfish. This solidifies the theme of “change over time”, and while it’s easy to talk about being a magnanimous individual, it takes balls to put it into action – and Animal Collective has eight of them.

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The fourth track from Animal Collective’s 2012 album Centipede Hz, “Applesauce” uses fruit as an extended allegory for youth, and the struggle of getting old.

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“Options” is the opening track to David Bazan’s (Pedro The Lion’s) 2002 concept album, Control.

The album follows a womanizing father and husband, who has an affair and ultimately gets murdered by his wife as a result. Bazan explores the themes of religion, sexuality, corporate greed, and fidelity in the album.

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“I Drive A Lot” is the opening track off of Starflyer 59’s 1994 album “The Fashion Focus”.

Starflyer is considered a well-kept-secret in the indie rock community. While Jason Martin, the primary songwriter, has been performing since the early 90’s, he still tours to this day.

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Frontman Jason Martin has said that this song has a literal meaning.

I work for my dad. I’m a truck driver. – source

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The penultimate song off of Devine’s 2005 album “Make The Clocks Move”. The name of the album is taken from a line in this song.

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This song ponders human sexuality and the moral boundaries that society has set on our reproductive organs, with the struggle between fascism and communism in the early 1900’s as a metaphor for this.

A band from St. Paul, Minnesota took their name from the title of this track.

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Keeps in key with the “fertile” theme of the song, while calling to mind the image of a snowcapped mountain.

The representation of semen staining mountain tops perfectly illustrates the concept of androcentrism, which stems from an ecofeminist perspective of anthropocentrism. Simply put, the semen stained peaks represent the influence of male domination in society on women and aspects of the environment.

This is also a statement that nothing is truly innocent. Even the beautiful image of snow-capped mountains can be perverted by the description of “semen staining the mountain tops.”

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