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There’s always one guy who wants the ruin everyone’s night

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A touching, more earthy version of Whitney Houston’s “Your love is my love and my love is your love”

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He paid for her flight–maybe her hotel room, too–and they used each other. No reason to dwell on it and commit to a relationship. Just take what you can and leave it alone.

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Drugs, sex, and alcohol, what else do you want from ATS? And don’t say “commitment,” because that isn’t happening

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This hook sorted of the predicted the battle ATS would have to fight for OIAM to see the light of day. Record label UMG had ATS up against the ropes for alleged copywright infringement on the beat–for the whole story, check out Forbes

We got an e-mail from YouTube saying that UMG has filed a copyright infringement complaint against ‘One In A Million,‘ “ Cameron says. 'That kind of confused me because we owned the copyright to the song.’

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Don’t bother partying with ATS unless you’re ready to stay up all night (zombie), but if you survive it, you deserve some head (brains)

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A well woven metaphor of their relationship as told through the subway:

  • Getting on and off the subway
  • Getting off on someone (sex)
  • Getting off on someone, as in leaving them

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She caught a glimpse of herself in the subway’s mirror and couldn’t recognize herself, not in an existential crisis sort of way, more of an “Oh, look at this person, she seems cool.”

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Word to Arrested Development

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This is the third time we’re asked “Do you wanna feel a little beautiful, baby?” on the album. It first appears on Alone Together with its “stay young forever” chorus. The second time, on The Mighty Fall, the question’s also associated with cosmetics/the idea of being young forever. Here, we see it paired with the very American idiom that “sex sells.”

“Americana”, generally referring to relics of white America, is juxtaposed against “exotica”, referring to almost everything except Americana. This intends to show that both can co-exist, rather than having to be two distinct categories that people have to fit into, calling back to the uniting, positive theme of the song.

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